Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
真的就是再见了……这么多年啊，真的就是这么多年！这个结局真的很苦涩……而且剧情很赶很赶，我舍不得打低星，可能再过段时间我也能接受了吧……
只能说那样吧，就连演员对这个结局都受到了很大的打击，唉
有刀有糖
四颗星完全给情怀吧
Ankh复活，虽然编剧强行捅刀，但是某种意义上是延续了小林靖子的风格，很幸运看的第一部来打是OOO。
特地把大伙喊出来，原来是为了发刀子啊。谢谢你，东京映画。
首先无论怎么样都要感谢主役的牵头，然后东映你也爷死。
tnnd，节奏巨快，拿着毒鸡汤直接甩给我。虽然有很多经典回忆，但总感觉太刻意了。勉强给个3星，完全是最后的OP给的
人造连组直接打戈达感觉根本没有表现出人造连组的实力，整部剧场版看下来感觉剧情还是半成品。
虽然一堆吃设定 生华也没有
MD，十年后还要刀我一次
太赶了是第一感受，一个小时都不到的剧场版，结局也不是he。
再见了，火野映司！我真的难受啊，难受啊，虽然硬币是合上了，还是BE了啊
有无数处理这个结局的办法，但是剧组用了最最最最最最最最最最差的一种方式来处理
从整体完成度来说 一般
不过就这部作品的剧情和完成度我在心里打3.8，看得很过瘾但太短了不够看，时长短导致篇幅短，王好不容易复活但蹦哒几下就没了，干部四人组只出来打个酱油也有点可惜，另外goda你是真的屑，老子看片全程都在骂你这个狗东西
我想要看电影就是假面骑士欧兹 10周年 复活的核心硬币
我对于这次ooo的v cinema感觉还是很微妙，作为映司的结局我确实很喜欢这个走向，但情节真的很粗糙。整体展开和战队的十周年v cinema都差不多，只不过战队最后会以开party式的展开热热闹闹的收尾，而这部以tv结局为基础，逆转结局时两个人的位置，用比原作更狠的刀收尾。原作到最后火野映司的欲望还未被满足，踏上了寻找ankh复活的旅途。映司是一个只要活着就无法满足的人，所以毛利用映司的欲望满足那一刻死去，真的残忍也符合映司的性格。
继faiz、decade后，平成第三位死亡的骑士。其实从特效、战斗场面、剧情等各方面都能看出拍得很赶（or预算有限），但TV的核心情感抓住了，成功以角色互换的方式再度唤醒10年前的记忆。你们都在的明天，为什么无法到来？
一共才一个小时
Copyright © 2015-2023 All Rights Reserved
