Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
跟着小马驹一起去冒险
还是好想哭啊
22_005。这电影的重点：女主角的胸很好看，完。(bushi)，虽然很明显的以色为卖点，但看着并不会觉得反感，就是最后的反转用力了没必要，停留在煎蛋那里就差不多了，明明之前也暗示了这么多遍
发现并欣赏别人的优点，接纳你认为别人那或许不糟糕的缺点。彼此才能成为好朋友。
比我想象中好看^ ^是能让成年人看进去的动画片。好喜欢片里的配色～
我永远喜欢my little ponies！
童年必备，好看的无敌好看啊啊啊啊啊啊啊啊啊啊
虽说是三维动画，但整部影片保持了一种童话的风格，让观众很容易接受，虽说是童话风格但没有幼稚的感觉！纵观整部影片唯一不好的地方就是美国动画一直遵循着 开始，发展，高潮，结束的规则，而这部影片少了"结束"
欲望，或许是潜于人灵魂深处难以抑制的魔鬼，一旦放出，各种悲剧由此而生。从经不起蛇的诱惑，亚当夏娃被赶出伊甸园起~
非常值得推荐暑假孩子们去观看的一部电影，小马和独角兽们的造型超萌可爱，色彩艳丽，音乐动听，孩子们看的津津有味，都沉津在剧情里。
说实话剧情方面我看完感觉一般般，但动画方面是可可爱爱的，反正小朋友挺喜欢的，就是这个是英文的，有些小孩不太喜欢看😅
全场都是小孩是意料之内。我最最最感动的是发现有一个妹妹和我一样等到了片尾曲播完才走，而且她穿着大公主的衣服！是马迷！
这个电影整体配色和角色设置都挺不错的，唯一的疑问是看完电影娃问我小马宝莉呢，我不知道咋回答，哈哈哈。
啥玩意？！中间反转之后好不容易想打个三星，但是这结局又是啥。我到底看了个啥？！
故事倒不算多创新，但却做到了新意。偷窥别人，别人也在偷窥你。电影有了三重结局卡点，男友死的时候，因为偷窥引发两个悲剧，这是反思的卡点；但进度条还有很久呢。摄影师揭露真相，偷窥悲剧，变成反偷窥的布局。在女主绝望的时候。这是反转的卡点；最后变成谋杀并复仇的结局。乍看这个结局太俗套了，而且又为反转而反转。但仔细想，导演没有必要着墨这么多，包括采访呼应入住时签字等，摄影师妻子怎么会知道男友会碰巧回来？看别人死都崩溃的男友，看到女友背叛到偷窥对象，更崩溃自杀才正常。最好一部分，很可能是女主为了逃避她害死男友，脑补妻子杀了男友……boss从摄影师、变成妻子、变成女主！PS：女主穿衣显瘦脱衣有肉，刘承羽身材也很好，难怪唐仁着迷
非常值得推荐，最近难得看到的佳作，看2小时也不觉得有多长。想起一部短片，你在偷窥对面而羡慕对面家庭，实际对面也在羡慕你的家庭，但那部更感人一些。本剧的问题是对面楼竟然没有一个正脸看对面的镜头，就好像他们生活在看不见对面世界一样，并没有眼睛与眼睛之间的交流。唯一感觉遗憾的是这个男黑的选角，选一个黑人不能满足女主有点多此一举，如果选一个体弱多痛的到可以理解。而女主的演技不错，最后的憔悴让人感觉一定受到很大的打击。如果女主拍摄对面的视频的影响要比拍她的照片影响更大，定时拍摄的照片如果底片有谋杀的证据被女主发现不是更好。
说实话，我真的有些找回g4的那种感觉了，很怀念啊
其實影片停在攝影展的時候更恰到好處，最後的強行反殺反而顯得有些多此一舉了。
很精彩！四位主演都好棒哦！这种年轻男女对欲望的好奇与都市道德伦理的暧昧就让人非常眼前一亮！讲真，就非常欣赏年轻的演员们去开拓自己的角色尺度。
很治愈可爱温暖的一部电影，老少皆宜，小马们太可爱啦！
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