With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
不好的在于，第一部看过之后，第二部的刺激感也就一般般往上走一点点，好看还是好看的。
断断续续看，中间几个韩国人非要演中国人还硬讲中文讲了那么久……可以算是亮点了吧🤣 就不能请几个中国演员吗
故事表现和1完全不是一个档次，看不明白导演究竟想表达什么意思，就为最后的10分钟大战？还有非常出戏的中文，黑我们，女1号神一样的超能力，最后还冒出个姐姐，估计导演还想拍第三部。
漫威系列之韩国分威。把动作戏拼接一下，看看就行了。
PS：我选包子脸姐姐。
这要早几年前，第一个镜头我就会被吓得立马退出观影再也不会想看了。
打斗越来越夸张了
复刻首部的承上启下，从申诗雅的选角便可知晓。此次无敌人设的高光，就像是李钟硕全程装逼却只等下一部般的失去意义。爽度虽顶满，却是徒有劲道而无章法的顶满，只能期待第三部力挽狂澜了。
说着蹩脚中文的傻冒们被韩国怪物虐杀，呵呵…
Made in Shanghai 那几个得得瑟瑟被扫地僧级别的女主角花式吊打
理性平分3.8/5分
第一部惊艳的是魔女的打斗戏，开创了一种火云邪神式的碾轧打法，第二部不说这个剧情了，五官都没办法演这个打法。
妹妹人设没立起来，姐姐人设还和第二部有差别，说起来第一第二部其实情感塑造都有缺失，只是这部烂得有点过分。
又乱又长，所有角色的起源和故事都没说明白，而且除了第一部女主，这一部一个人的名字都不知道/不记得。普通话小队真是听得头大；英语小分队的日常斗嘴还挺有趣的，大胡子是gay的设定，能在韩国主流银幕上看到是件好事啊，而且俩人有很强的没头脑和不高兴化学反应；凡人姐弟也让人唏嘘，女主能力过于强，但展现得太少，就期待个第三部吧。
和《釜山行2》一样沿用前作世界观，新角色，制作升级，故事稀碎。饼画的太大了圆不回来，这么单调的变种人大战黑客帝国确实第一次见。这么蹩脚的中国话属实尴尬，李钟硕的发型拖累了那张脸。我只想看具子允的故事，不想看妇仇者联盟。
第一部其实也不是特别好，唯一看点就是动作戏。而为了铺垫再反转，剧情先抑后扬，虽然节奏拖沓但能接受，而这一部，不但有上一部的缺点，还把动作戏删改成意念控制，光有特效那还看个der，背景还设定在黑夜，拍近身搏斗镜头又莫名偏移，第一部的耍酷到了第二部尬成了装X，泡菜味的中文也只能骗骗不懂普通话的韩国人。拍的很好，下部别拍了。
好好讲韩语吧，真的，几句话鸡皮疙瘩都起来了
没有太大的新意，打斗戏也没第一部出彩
谁才是真魔女，金多美一个眼神就立见高下了。如何形容这部续集呢？大概就是“全是技巧没有感情”打戏是升级了，都能像超人那样飞来飞去了，相比之下第一季的段位简直就是幼儿园水平。
乱七八糟 这都是啥啊 那几个说中文的韩国人是什么意思 一堆变异人跟正常人打架然后团灭了 就打来打去 不懂电影在讲啥……
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