Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
挺好看的，比爱你西蒙表达的东西其实更复杂一些，戳爷角色处理的也挺好，不过和印度哥cp感有点若有若无，还是姐妹情更好罢了😹
也没有像想象的那么差
但是剧情感觉好碎，有点食用困难。
this is a story about a twink who has a thing about foreign guys
剧情比较平淡，但是意外地让人很想看下去。印度小哥好帅，两个人的暧昧是最激动人心的部分。开放的结局也很好，点明了主题
Troye对中国gay文化一直是具有正向意义的，他也同样拥有超高演员天赋，片中的脆弱感如同甜茶在《请以你的名字呼唤我》，而那种青春的倔强感如同多兰在《我杀了我妈妈》。马卡龙的色彩，浸入极具Troye灵魂与情绪的影像，细碎的青春台词和他天使般的面庞打破线性剧情，每帧与配乐在一起美到极致。任何一种疾病都应该去污名化，不管是艾滋病，还是心理疾病。
美国高中青春伤痛文学我真的看不烦诶！Troye整个人就是个小可爱！好喜欢他啊！弗罗里达的夏天大家感觉都磕得有点嗨。PS.他妈真的是个asshole
只能講整體風格唔係我鐘意嘅，偏向The end of the fvcking world 嘅頹廢感，特別接受不能男主嘅style. 睇完comments 或者呢個係troye 嘅本色演出？dun know….不過拋開表面嘅頹廢生活，男主嘅遭遇以及果種缺乏安全感嘅內心的確幾令人同情，或者呢個會令到唔少現實中嘅Gay特別係btm 會有身同感受？ Anyway 最後結局得知原來troye 呢個角色係top 應該係相對出乎我意料之外嘅點了
就很netflix青春爱情轻喜剧，剧情不做评价。戳宝太美啦！！
《Five Years》是我最喜欢的宝爷的歌
Fears are stories we tell ourselves.看完以后不得不感慨戳爷是真滴好看……想安慰Estha小哥，毕竟他看起来太压抑了。
不像cmbyn那种充满荷尔蒙好似一场梦的青春，这部更多是邻家迷茫少年的夏日故事
夏天的海边，不安的人和事，都是过客，每个人终究要自己往前走，不停歇的时间铸就了过去和现在，也正在走向未来。
太棒了太棒了艹。暑假的三个月、即将升学、自我放弃、点歌大卫鲍伊、自行车…我最难忘的21岁的夏天。
1、真是我看过最尴尬最好笑的床戏。2、大猪蹄子，什么当乖乖仔，只是没那么喜欢我戳罢了。3、戳的这种极度外向型人格是完美的性格，但很容易招惹抑郁型的人，希望他们不会受什么伤害。4、为了遵循传统他妈妈宁愿抛弃他儿子，这种现象现在还经常见，真是可悲。5、印度朋友和他妈妈都是这种所谓的极端保守派，反正我是挺难理解这类人群的。
戳爷扮演的凯莱布是南佛罗里达的一名高三学生，在他即将开始人生的新篇章时遇到了HIV感染的风险，与此同时，他也经历了一场新的爱情之旅。
青春的躁动混杂着感染的焦虑，令三个月的夏日无比漫长，经历了恐惧的洗礼，才懂得友情、爱情与亲情的珍贵，真正的恐惧不是疾病或者痛苦本身，而是痛苦时孤生一人，正因为有彼此陪伴才能让人敢于直面恐惧。本片或许可以叫《陪戳爷度过漫长夏日》，Troye Sivan真的太适合这个婊婊的毒舌甜心。
夏日、自行车、三人、同性，轻轻松松，有点像《爱，简单》
三个月等结果的过程很煎熬，到最后结果好像也不那么重要了，关于青春、成长、亲情、友情、爱情的认知日趋成熟成了电影的亮点和主线，挺不错的
classic gay romance movie 戳好好看！
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