With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
就很普通，普通的优点，普通的缺点，太普通了，普通中的普通
前面后期真的太真实了
啥都没有，电影不只是生活，电影来源于生活，但是高于生活
平平无奇的“平民”爱情故事。
但是这些就在我们生活中会发生的事情 非常共情
几年后再纠缠个屁
就…把家装成隧道 怕啥来啥 咋想的呢… 可惜了毛毛彤彤了真的是
真实的部分让人讨厌再看到生活琐碎，理想的部分让人没有幻想的欲望。
最好的前任就要像死了一样 不要再打扰对方的生活
情节俗得很丝滑。能不能给他俩安排个好剧本啊。毛晓彤真好看，脸真小，几乎是素颜演出了。还有杨玏请把卫衣+西服焊死在身上吧哈哈哈
再美好的爱情也抵不过琐碎生活，最精彩的部分是把生活的艰辛揉碎了给你看，猜疑与不解吞噬了爱情的信任，最终走向分崩离析。可惜最后破镜重圆虽有感动，但又带有爱情童话故事一般，不太真实。
前面在一起速度再快，后面结尾速度也很快，快到让人怀疑
虽然挺真实的，但这种流水线式爱情片还是少拍点吧
电视剧衍生品，票房成绩能够说明普通观众的需求还是普世价值观的温情。
咱就是说，这爱情看得我一点都不期待，男女主演技是不错，但是剧本真的太烂了。
台词都是我和对象吵架时的，一模一样。但电影缺少了打动人心的地方，这是为什么呢？
翻版《花束般的恋爱》，得出结论一线城市是人类fire之敌
呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜
还拍啥电影啊，电视剧爱情大家也看得津津有味
（不过毛晓彤杨玏这对cp倒是挺搭的…）
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