The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
He’s hot and he knows well of it..
What a convoluted mess. 我不知道制作者们有没有想过,这样描写永恒族,是几乎剥夺了人类文明所有的agency,这对我来说是远比节奏,角色等等剧本技术性更深更大的问题。
整个推理部分就是给人一个大大的问号 不过麻生久美子好美啊
饭店从业人员请好好跟能人Masami酱学习领会服务精神,挺讲究哒
饭店从业人员请好好跟能人Masami酱学习领会服务精神,挺讲究哒
小说我还是给了三星的,不知何故这么好的卡司改成电影反而让人看不下去,跟第一部一样平平。
电影说,“来酒店的人们都戴着假面”。我认为人有多面,去酒店的人反倒是为了卸下假面,更爱自己。
跟尚气有点像,内心的魔鬼,小团队的阶级斗争
片头跳探戈的长泽雅美是近几年最美的长泽雅美。木村哉拓饰演警察时颇有当年华仔的气质。酒店的布景和全篇的摄影以及运镜让人有沉浸式的度假感,有《布达佩斯大饭店》的感觉。另外,片尾以中世纪油画形式再现影片中的经典场景,艺术性又上了一个台阶啊
不是贺岁片胜似贺岁片(可恶结尾又被装到了(
镜头切换得简直头疼,感情戏是哪里冒出来的?只靠一个眼神就确认了最终的罪犯?我...
感觉比前作好点但也没好很多,可能观影的主要目的就是木村拓哉和长泽雅美吧。
看得出已经用尽心思提升品质了~不过效果有限…
royal park要去住一宿。木村耍帅犯规,全员熟脸,剧本居然是东野圭吾,罪犯剧情牵强
麻酱去LA没有下一部了吧,千万别有了,东野的推理小说真的好无聊啊
14/10/2021 @ 百老匯The One。我又睇左集日劇SP啦……
比起悬疑片更像是一部酒店员工培训片。不要说讲好一个故事了,连悬疑的气氛都搞不出来。这导演以前还导过古田任三郎呢,怎么像一幅不会拍悬疑片的样子?
作为漫威第四阶段一次大胆的尝试,这部电影定位特殊,风格与同系列影片相差甚大。
人物延续得很好 剧情整体是合理的 木村拓哉跳女步的探戈很有趣
大排场的无聊剧,找了很多事做让自己忍住不要中途起身。动机完全站不住脚。中村安挑了半天舞的意义???
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