The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
哗众取宠，只为揭开伤疤让你们看；置之死地，但愿姐姐妹妹站起来。
跟别说现实情况了，
这样就失去了新意，感到有点无聊
和前作一样，抛出一道无解题，然后对同一个情绪点进行集中猛攻，这种方法确实是适合颁奖季的。然而芬沙伊德是个执行力过强的导演，滥用对比，每场戏的目的都过于明显，人物状态生硬得不像话。当然这也和原本迷你剧体量的剧本有关，等到电影后半段，情节突然增速，一堆没头没脑的单薄角色接不住情绪戏，故事就彻底陷入胡言乱语了。
现实了？
当强奸似乎成为老生常谈但却好像无药可解，当女性被迫要用一种骇人的方式才能引起人们严肃的注意力，这真是社会的悲哀。
总体来说比预期差
中间剧情实在有些幼稚，但主题鲜明，还是值得一看
还看得下去，就一直想知道女主所求是什么，知道了也就索然无味了。
解决太一般了，一开始这么多媒体造势，最后却没有用上媒体翻转
桑德拉老成了这样，岁月不饶人那，还是男的抗老。请看基努里维斯。
“自你开始观看这部电影，据统计，在印度已有8名妇女被强奸。”推动历史，需要每一位女性的觉醒和努力。
翻译是真的烂。
诱拐题材新思路。这个国家的人都装聋，除非你在他们耳边大喊大叫，否则他们很容易视而不见。就是非要做到这么极端不可。
拍的不好，故事显得狗血了，要不能和曼切斯特差不多吧？
甚至
印度啊，国人都已习惯笑话你，但每每看到这样质量堪比药神的电影，一部接着一部产出，我只有由衷的敬佩
比起弱点，桑爪更应该借这个片拿奥斯卡。估计是公司没好好操作。
当然，我们亦如此
8 women have been raped in our country.
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