This is a budget action film. Some people seem to think that low budget means that bad acting and worse action scenes are excusable. Anyone whose seen a really good budget movie will know that there's really no excuse. All directors have to start somewhere of course, but this director wont be going anywhere, in my opinion. The acting in this film is truly awful. There's not much I can say to redeem it. The mood of the film flicks between over-serious and Benny hill trash comedy (an apparent attempt to reproduce the comedy style of some Japanese action films, which doesn't work). The car chase being a good example; what the hell is with the stupid music and unfunny attempts at comedy when the rest of the film is trying to be serious?!. It makes no sense and gives the feeling that the director was either high, a clueless student, or both. There are some hot babes in the film but nowhere near hot enough to make the bad acting bearable. Bas is a hero to any fighting fan but I'm afraid to say his appearance is so short I can't even recommend the film to his die-hard fans. A previous reviewer forgave this film's misgivings giving it 8 stars, and I can understand that there are times when budget movie-trash is sometimes a good laugh, but there are so many much better budget films than this that I can't find it in my heart to recommend it to anyone other than the directors mum.
BJIFF2021第十六场。淡化人物和叙事，完整的美学体验。一部试验性作品。北影节最佳摄影预定。
5.31杭州嘉里首映场。
一部静悄悄的战争片，躲着一帮若有似无的敌人，一部虚张声势的美术作品。
很沉浸，但可能只是因为我太久没能有机会进电影院了。
黑白格调奠定了以浓重悲情色彩为基础，淡化了战争冲突，严格来说质感和美学之间并没有想象中精致，镜头平移频繁切换视角把小人物弧光提高了好几个层面，非主旋律那般牺牲，却也因为叙事过于依赖氛围铺垫导致不够特别，且在两者之间没有一个妥协性~
3.说战争吧 没什么大规模的枪火 都是大家拿着枪放几下 摆个架势 说文艺吧 偶遇的渔家女天然的正义
整体没有预告片中呈现的影像质感好 有一些好点子 但总体还是常规拍法 整体略显粗糙
看睡着了两次…节奏有点慢，然后前面卖惨后面又开挂…就…不行啊
战争可不就是这样，在一片漆黑中突然的枪响，突然的死亡
没见过这种质感的战争片。故事让我想起《一个和八个》《1917》，只好让我想起塔可夫斯基。
低饱和的画面把战争的压抑渲染得淋漓尽致。
生命的定格的瞬间凸显战争的残酷
不过保利这里的冷气也太足了，冻死我了，映后的闪光灯也快把我晃死了。
吐一个小槽：战争片里，女性似乎难以存在，但往往都存在一个。《一个和八个》里有美女卫生员，《1917》里有单亲妈妈。这部电影里，长得像汤唯的美女渔民头一次露正脸，是黑夜潜入庙里送饭：所有男人的脸都在阴影里，这个美女的脸，居然给了一个经典好莱坞式的面光。
支持一下吧。看这部片看得我很难受，影片里面的声音都不太一样，小的小死，大的时候像右声道发出的声音🤣🤣构图和灯光，真不错，大家如果来看，最好找一个荧幕亮点的影院。我家这个太差了。
当我们放弃贩卖某种廉价情感而从“人”出发，寻找诗的味道……它让我看到某种希望
失望，槽点太多，斯坦尼康摄影莫名其妙的秀技，后拉的镜头顿挫感太跳戏，基础的操作都不熟练。一些镜头舞台感还算不错，故事也一般，对话幼稚。最后的红色渲染也没什么创新性。完全沉浸不去，学生作业的水平。
原谅我实在是没看懂，黑白色的滤镜根本认不出来谁是谁，诗电影更让其节奏一团稀烂，人物确实各有特点但是没认出来脸，没错我脸盲。。。不过黑白色滤镜也是有优点的，那种真实而又残酷的氛围表现的就很好，而且最后一个镜头的震撼感很不错
吐一个小槽：战争片里，女性似乎难以存在，但往往都存在一个。《一个和八个》里有美女卫生员，《1917》里有单亲妈妈。这部电影里，长得像汤唯的美女渔民头一次露正脸，是黑夜潜入庙里送饭：所有男人的脸都在阴影里，这个美女的脸，居然给了一个经典好莱坞式的面光。
电影的色调拍摄风景我还是很喜欢的，国美的作品审美什么的还是很在线的。
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