With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
前半截全员烂人、五彩缤纷、煞是好看，中间一开始抒情就不行了。
派达星想要统治世界啦！！！无厘头，冷幽默，轻设定，重口味，摇滚风，黑下政府，搞上内耗。便当一直领，恶搞不能停；潇洒不做作，杀人不眨眼；上一秒悲伤叙事，下一秒抖个机灵，四两拨千斤；血浆与肢体翻飞，摇滚和枪炮争色；角色肉体被暴力重击，观众精神被密恐摧残。
好家伙，政治立场你这是明贬暗肯啊！
婚纱小丑女突突突，和手撕敌人的鲨叔，爱了爱了
血浆暴力黑色幽默一个不少，玩梗玩的飞起，颇有死侍风采，野百合也有春天。派大星出来抓水母，却惨遭危险人物短腿撕咬最终插眼而亡。
小丑女的solo太酷了，那条鲨鱼是啥了，怎么这么可爱。
DC告诉观众他家也是可以走隔壁漫威式的搞笑超英风格。谁说DCEU就一定要暗黑，口味可以重，色彩可以亮，全员恶人当然也可以充满恶趣味。P.S.谁能不爱鲨鱼王？
那m，那m；拉丁美洲国家革命史大体如此，大部分都被美国政府玩死；自杀小队成员应该像老鼠一样，虽然是“害”的存在，但也要有自己的目标；boss蓝红配色是美国国旗
滚导和扎导都是经历过风风雨雨的人，这部里的回击（底线不杀小孩）比扎导的JL还要多。看得出来狗华给的创作自由很足，但也不完全hhh。同是音乐录影带风，这么来说阿耶的院线版也并不差嘛。开场全员重启了一遍（剩俩），结尾又重启了一遍（余一），炮灰笑料真不少。海星是一个令人心疼的反派“我也曾经遨游群星”；鲨鱼王降智成吉祥物倒是觉得挺遗憾，这样还怎么和渣康ooxx（不是）（黑暗正联什么时候搞出来？！）（做梦！）
令人眼花缭乱的一部dc电影。两个半小时但是毫无尿点。新的自杀小队就此建成，希望他们的故事还能有更多继续。
8/10 古恩这部屎尿屁火力全开...算是r级银河护卫队，看的很爽 very fun！好几个血腥场面拍的还挺唯美，尤其是哈利那一段，绝了！毛病还是老毛病，n多不合时宜的煽情，硬塞些亲情友情啥的，通篇冷笑话越看越尬的...
一星给DC
半程时间一度难看到以为又看了遍《活死人军团》，真的不是设计出来的蠢，是真的蠢。
非常带劲儿！玛格特罗比真不愧是练过体操的呢，打戏真好看。鲨鲨好可爱啊～派大星实在惨，人家本来在宇宙里飘来飘去数星星，逍遥又快活，结果被一群裸猿捉到实验室关了三十年，可不就得大开杀戒吗。所谓艺术源于生活高于生活，黑起美国政府来谁也没有好莱坞下手狠。导演的daddy issues依然挺严重的。最后我怀疑全体角色里有智慧的，可能是，黄大仙儿。
U1S1，如果你喜欢滚导的风格，那这个片子还是很对你的胃口的，是一个合格的商业R级片。我想这也是为什么评论区有很多人叫好的原因——该死就死，“死”得很到位，确实已经很长时间没有感受过这种不夹杂任何主角光环的电影了。
像是把一集rm扩充成了长片，欢脱又想象力勃发。不过感觉小丑女并不属于这个解构系统，因为我们都知道她不会死。
3.5，很爱这个导演，就严格了点，能看出导演自己玩的很嗨，颇有当时撕裂人的影子，惊喜地看到watiti也客串了个小角色。但感觉这几个人物塑造上还是不太有趣，远不及 银河护卫队 ，前面大部分都有点无聊，一帮人一直在做对他们也没啥难度的事，就最后打大海星还有点意思。
DC终于出息了！小丑女大杀四方那段足以载入暴力美学史册！大有《杀死比尔》、《王牌特工》的高光时刻！
合格爆米花+视觉亮点，过关。像第二部《银河护卫队》，更《莫娣》式《异形》，高潮不如前戏有风味。滚导也太懂怎么让哈莉·奎因／玛格特·罗比散发魅力了吧，海洛因白皮搭探戈红裙配梦幻花朵特效真是天才，最后眼里海洋一尾美人鱼，黑童话版迪士尼啊。鼠疫拯救世界不要太搞喔，大有「用魔法打败魔法」之感。在套路里反套路玩得超溜，看得开心。
我最无感的marvel和dc单篇大概就是银护和自杀小队了，然后这片取了个合集。如果dc未来十年的超英电影都是这样的故事线巨弱，但是动不动一个反高潮片段的预告片合集式电影，那你们开心就好，我到此为止了。
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