With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
2.把毕设这个东西带给我的压力写一遍。发现这个模板还不错:
虽然稍微想一下就发现剧情挺假的，但观感还是挺爽的，客串的人可真是多啊
无厘头喜剧 埋了很多超英梗 最后一段黑复联4的真的爆笑
虽然有些梗挺低俗的，但是动作演员失忆以为自己是超英这件事真的很好玩——最后有点小感动，爱是一种刻在基因里的东西，就算失忆了，回来还是喜欢你。就算重新认识这个世界，我喜欢的还是与你有关或相似的一切。
戏谑得很到位。
没有他们团队前几部笑点多，不过这年头还有人愿意质朴地搞笑就很感激了
Classic coming of age storyline, nothing new, but it was actually really fun to watch.
相当好，合格的电影最基本的就是讲完整一个故事，现在居然要拿出来表扬了
留到明天思考一下为什么还在抗拒，或者直接把它完成，就不是一件需要担心的事情了。
哈哈如果不是心里烦，可能会更加的哈哈大笑几次，技法很成熟，男主角还身兼导演。挺有意思的。
曾经好莱坞当红喜剧巨星，这次来点认真的。化身为76人落魄球探，远在异乡慧眼识珠寻得NBA未来新星，无奈球队少老板强势鄙人有眼无珠。灵魂球探和天才少年就此踏上困难重重的选秀之路。类似的体育励志电影多不胜数，可作为篮球迷和电影迷真的无法拒绝这部片子的魅力。电影看似情节老套，平平无奇，看后却依然能给我内心泛起点点涟漪。没有人生来伟大，天选之子勒布朗也是靠着天赋和勤奋才能取得今天的成就，光鲜亮丽的NBA联盟背后也离不开一个个普普通通的人用辛勤汗水的浇灌，感谢这部电影让我们有机会更加了解联盟背后的故事。
但套路用在篮球上我就依然热爱，
菲利普这一团队的作品，还是一如既往地无厘头搞笑，这次终于把目标伸向超级英雄电影了，最后的吸尘器广告简直是业界标杆
超级英雄和失忆的老套路居然能拍出这么多新意，巴黎圣母院的彩蛋真棒！
梗的质量实在不高。一些演艺界笑话和个别屎尿屁还行，伦理哏和冒傻气的笑料太多有些糟糕，气球防护罩那个不是原创。为了巴黎圣母院的段子，给加一星吧
观感很棒，笑到肚子疼，把主流超英片都恶搞了遍，最后吸尘器的植入暴击一笑
超级英雄的梗很多，主体是屎尿屁。现在很难被这种片娱乐到了，不是片的问题，是我的问题。
完全是靠恶趣味攒的梗，确实没get到多少笑点。
是不是法国人都是这个鸟样：慢慢吞吞不温不火傻不拉几？好吧看上去很轻松就够了！问一句：最后男主和女记者是怎么有的前世情缘，没看明白？！
很不错的爆米花，最后的温馨小转折意料之外情理之中
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