Devon Ke Dev...Mahadev is a Hindu spiritual television drama series which airs on Life OK channel. It premiered on 18 December, 2011 and showcases the story of Lord Shiva, also called as Mahadev.
The drama is inspired by the works of Devdutt Pattanaik. The story has been researched from Bodhisattva and has been penned up by Mihir Bhuta.
Devon Ke Dev...Mahadev is the story of the Hindu God Shiva, also called as Mahadev. The show portrays his journey from a hermit to a house holder. In the show Shiva takes many incarnations and many incidents take place. However, this plot mentions only the major events.
The story starts with the tale of Shiva's marriage with Sati. Sati who is the daughter of Prajapati Daksha, a staunch Vishnu devotee, is drawn towards Shiva against the wishes of her father. She finally marries Shiva, but soon dies by self-immolation when her husband is insulted at the yajna of Daksha. The grief-striken Shiva produces Virabhadra, who slays Daksha, however he restores Daksha's life after beseeching of Daksha's wife. A distraught Shiva leaves with burnt corpse of Sati and wanders the universe. Vishnu severs the body into pieces, shattering them on earth. Shiva transforms the pieces into Shakti Peethas, embodiments of the power of the Goddess Adi Shakti.
Sati is reborn as Parvati, the daughter of Himavan, king of the Himalayas and Mainavati. She is also the sister of the river-goddess, Ganga. Parvati is raised in the hermitage of the Shiva devotee sage Dadhichi, who teaches her devotion to Shiva. Parvati grows up and like Sati, is captivated by Shiva. She slowly remembers her past life, then wins Shiva by her austerities leading to their marriage.
Shiva and Parvati give birth to Kartikeya, who slays the demon Tarakasura and his brothers. Kartikeya is also nominated for the throne of the King of Devas but Shiva asks Indra to continue as the king. After this Kartikeya is sent to the Dakshin (south) where he is cared by Meenakshi and here he slays the demon (asura), Tripath with her help. The story goes on with the tale of the destruction of Tripura, belonging to the revengeful sons of Tarakasura, who were earlier given boons by Shiva. And just before the destruction of the Tripura, Shiva and Parvati's daughter, Ashoksundari is born.
After the destruction of Tripura, except Lord Indra (the King of Devas) everyone congratulate Shiva for destructing Tripura and also for being the father of Ashokasundari. Rishi Durvasa gives him a special garland, which Shiva gave Narada as prasadam. When given Lord Indra accepts the garland placing it on the trunk of his elephant, Airavata to proof that he is egoistic throws it. This enrages the sage and he curses Indra and evryone to be bereft of all wealth and fortune. Soon later to take revenge on the destruction of Tripura, King Bali attacks heaven and in attempt to steal Amrita (nectar of immortality). But it falls into the Ocean of milk. To get the Amrit back Devas join hands with Asuras to churn the ocean for the Amrita and to share it among them.
The churning of the ocean, known as Samudra Manthan is an elaborate process. In the process the Devas disadvantage the Asuras in many ways. Despite this, they churn the ocean. In the process Lord Vishnu also takes his second incarnation of a turtle, Kurma.
The process releases a number of things from the ocean. One product is the lethal poison known as Halahala. This could contaminate the ocean and destroy all of creation. To save everyone Lord Shiva inhales the poison in an act of self-sacrifice but Parvati rescues him by pressing his neck to stop the poison from spreading. As a result, the color of Lord Shiva's neck turns blue. During the churning many things are obtained from the ocean which includes Lakshmi, the Goddess of fortune and wealth, who is the eternal consort of Vishnu. Thus, everyone gets their wealth and fortune back. Later Vishnu takes the Amrita secretly from the Asuras and distributes it among the Devas.
The story takes some years leap after which it is shown that Kartikeya has been removed from the post of Senapati(head of the army), which pleases Indra and for the first time after so many years, a grown-up Ashoksundari meets Kartikeya. Kartikeya also meets his parents. He enlightens Ashoksundari about meditation and she inspired by it so much that she renounces her life to meditate, which disturbs Parvati.
Looking at the ill happening of the world, of how Ahalya is seduced by Indra, Mahadev come indside. Even after Mahadev tells that he is his father and many other gods tried to tell him, he still refuses. Mahadev got angry and cut Vinayak's head.
老了老了,打不动了,按情怀的态度看,剧情还好,在米国如今的环境没有加些奇怪的东西。章鱼机器人来矩阵这点确实说得通,其实就怕之后整个平行宇宙。(毕竟都能修复尼奥了,造一个应该也可以)
当追求艺术的梦想家遇上只想赚钱的商人 不是只有matrix里才有bots / 千万不要错过最后的彩蛋 / 有三部曲的影子在 但是也看得出主创并没有认真对待 华纳可能看了年度报表发现赚得不多 看看自家IP还有什么可以挖点钱 结果拍么要拍的 逼逼叨叨一大堆 一点创作自由都没有 谁会认真拍 所以还是网飞好 直接给钱 想拍什么都行 不过太烧钱的项目就算拍得好也是会被毙掉的 sigh 又是想念sense8的一天 / the matrix&sense 8: LOVE is the most important thing in the world
就那么回事吧,一直不喜欢这个系列,神神叨叨的
看完这部让人感觉,老实呆在矩阵里挺好,折腾啥啊
好好的一个黑客帝国,让你拍得是既没有骇客味又没有想象力,失败!
一切的设定都是可以给到满分,最后落到儿女情长也不能说就是格局小了,但你好歹把这两个人的感情戏做足啊。。。
廉颇老矣 身形散的打戏打得摇摇晃晃 封神系列就let it go何必重启
Lana Wachowski's Contractual Obligation reboot/remake AKA 沃卓斯基兄变姐的non-binary变性之旅;有点尽义务似地去二刷了黑客四,没想到观感有了质的飞跃。这么一部沉浸世界的元电影,最好的体验方式肯定还得是去个生活中距离最近的元宇宙-电影院欣赏,尽管说大早上偌大的IMAX厅里,跟我一同接入插头的寥寥无几
哈哈评论区里一群法海……这部电影让我想起我的游记标题:《随时有水、音乐和记忆漫上来的新奥尔良》。只不过这电影里是米阿米。米阿米这个名字是一个女人译出来的。
纯粹贩卖情怀,因为制片觉得现在随便拍一部都能死赚(制片可能是对的),然后遭殃和犯恶心的总是我们这种认真的电影迷们。。。(谢谢豆瓣里的大伙儿一直给出非常中肯,合理及符合逻辑和精确审美的评分)
但这么做太天真了,因为你又想赚钱又想偷懒,墨镜和风衣只留在表面上,完全没有进到里面去,直接滥用原片画面放那么多割韭菜的味道太浓了。
我真是太能理解拉娜对现在这个世界的吐槽,如果世界真的是matrix的话,现在这个2021的版本真的不如1999的版本。1999年的版本建构矩阵的法国程序员还能认真讨论“什么是自由?”,2021的版本中,疯狂的吐槽这个毫无创造力的世界。当然可能是在上一个版本中他是有莫妮卡贝鲁奇的人,这版本中他只是个流浪汉。最后拉娜最绝望的吐槽,最后的艺术形式都在被大数据时代碎片化的信息所摧毁,我们生活在一个比matrix还要无聊的世界,没有人去思考Why,而是被结构和信息带来的因果律所支配着。拉娜的感觉就是我现在的感觉。
当追求艺术的梦想家遇上只想赚钱的商人 不是只有matrix里才有bots / 千万不要错过最后的彩蛋 / 有三部曲的影子在 但是也看得出主创并没有认真对待 华纳可能看了年度报表发现赚得不多 看看自家IP还有什么可以挖点钱 结果拍么要拍的 逼逼叨叨一大堆 一点创作自由都没有 谁会认真拍 所以还是网飞好 直接给钱 想拍什么都行 不过太烧钱的项目就算拍得好也是会被毙掉的 sigh 又是想念sense8的一天 / the matrix&sense 8: LOVE is the most important thing in the world
乌贼兵以及虚拟世界的特效依然很感官刺激。
几幕悲伤鸭会功夫飞不动玩梗弄情怀和过多推波气功,好像主要还是为了卖游戏。表世界种草莓没有里世界当码农好看,弹无实发bot海战术从来也不好看,不过两个基佬确实过于抢戏说着都快唱起musical
这就是典型没有自己独特视角的电影人拍出来的东西。三流侦探小说批了个科幻的外壳。好莱坞能不能给吴彦祖好一点的角色啊??
D+ / 第一幕尚且承袭了「超感猎杀」里以剪辑为动力的影像节奏,由此勾勒并设计出充满活力的群像与动作戏,而随后陷入了“思辩”与“自反”的怪圈里逐渐丢失锐气,动作与情感皆被拖累。导演二人由兄弟转变为姐妹的过程中,其作品成功之处不在于兜售哲学概念,而是以人物的信念感与爱为动力建立connection,以此换取观众对影像的相信。而一旦周旋于概念本身,丢失了信念感,便与任何好莱坞套路商业电影无异。
太可惜了,太可惜了!!我实在是很喜欢Hugh Jackman和Rebecca Ferguson这条故事线,和他俩的感情戏。倒不是说他们有多来电多登对,而是他们的外形和气质真的很完美符合人们对“天造地设”的那种想象,就像史密斯夫妇一样。而且最后结局的反转还真的有感动到我。但就是可惜,本来很不错的设定,水面上的未来Miami,帮人们追忆过去的侦探和貌美神秘的女子,从阿祖带着他三个英文单词夹一个中文单词的对白出现开始,本片就彻底尴尬到太平洋的另一头去了。各种风格的混搭,极度脸谱化的反派,各种老掉牙的noir film套路……把这些花里胡哨的东西都去掉,专心打磨男女主感情线的话,本片至少能成为一部更感人的爱情版《盗梦空间》……真希望还有下回的话,让Hugh和Rebecca好好谈一回更完整的恋爱吧!!
PS:我真的还是觉得拉娜拍这个是真的对sense8放不下啊!
草哈哈哈哈哈那个疯癫的法语回收站是海洛文啊哈哈哈哈
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