The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
末世设定却不讲疯狂争抢资源,机器学习也不想未来是否失控,只讲同行三个“人”的故事。
那只蝴蝶像是阿甘的羽毛。汤姆汉克斯老成了施瓦辛格的样子。
这是一个关于世界末日无聊的故事,但里面又因为有宠物有些感人。
开头还挺末世朋克科幻的,越往后越冗长,不知所谓
6. 拖延症会错失看世界,必须说走就走的旅行。
好在关键时刻还是能闪一下光的
John Wick的地表最强狗奴地位受到巨大挑战(最后居然联想到了哈洛的恒河猴实验是我不太对劲)
仅一人一狗与一个机器人,却有种相依为命的温暖感
在辐射里大概就是和机器人对话然后引出的NPC的故事了
虽然最后二十分钟哭了一卷卫生纸但还是要扣一星,因为人类对机器人太坏了 😡
尽管不是所有故事都会结束在恰当的地方
还是很开心在信任感崩塌的今年为止,看到了这样一个关乎信任、孤独和爱的故事
科幻片,其实是另一版本的《荒岛余生》。故事密度不足,独角戏,只靠汉克斯演技来支撑。机器人的设置不错,简陋、笨拙,却又在努力模仿学习。对于它来说,人充满了矛盾,让它备感困惑。而它最需要理解的,则是信任一词。
末世公路片,喜欢它拍得温情而幽默,在如今的世情下,太需要这样的片子让人喘一口气了。
与其说是科幻片,更适合标签为末世温情公路片,badguy的见车不显真容处理的很妙
挺喜欢这个简单又温情的故事,有些末世元素,但主要还是讲人与机器人传递的情感。苹果自制,挺好。
世界末日降临,余生屈指可数,汤姆大叔出来讲了一堆大道理,但前提均是保护地球环境与建立人际信任🌚
世界末日降临,余生屈指可数,汤姆大叔出来讲了一堆大道理,但前提均是保护地球环境与建立人际信任🌚
这首首尾呼应的歌真是让人流泪。Bye bye miss American pie
年度催泪大片。期待汉克斯的独角戏冲奥,以及机器人和狗勾可以另外再拍一部电影。
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