The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
剧情太老套了，设定也太老套了，在韩国满是犯罪电影，这里的设定依然同质化，甚至毫无新意。剧情人物反转都能猜到，小男主的演技很中规中矩，赵震雄的角色也是比较脸谱化。
观感还可以，韩国人拍警察电影确实比较擅长，描绘人物、剖析社会内涵都还不错。
大本演绎的这个舅舅大概大家都会想拥有吧。
The Tender Bar script is based on the best-selling 2005 memoir of the same name by J. R. Moehringer, which tells the true story of Moehringer's childhood growing up in Long Island, New York in the 1970s and '80s.
节奏迷惑。但是宇植和赵震雄那种莫名的父子感还挺有意思的。
嗯，很温柔，相比导演，我更加喜欢乔治克鲁尼做演员呀
美国的成功学鸡汤电影是我最不理解的电影之一
Tye长这么丑了？
人物架构可以做一部出色的电视剧，双雄父子 模糊边界 黑白侵染 剪辑处铺密集鼓点加盲音转场
结尾感觉少了那么点意思 平日看电影看的少 今天凑巧想看看 就点开了 还是有感动到我的点的 个别情节可能代入自己了 泪目了。
很日化的韩影，改编自日剧，叙事转场也很日式。看遍了血泪控诉，这类稍显温柔的方式也算新鲜。
受够这种絮絮叨叨的爹味儿电影了，教男人怎么做男人，怎么对待女人等等，这似乎是很多男性演员做导演的通病，主角们个儿个儿碎嘴催，看了20分钟只有一个感觉“你快闭会儿嘴吧！”
虽然有点平淡但是非常温馨。温柔真的是我最爱的品质啊
上了名校也依然不能摆脱命运，只能靠运气写书，多少有点理想派天真，原来美国也是只有读书改变命运的现状。
谁不想要个温柔舅舅呢？
就像大多数人不会去咖啡店买一瓶矿泉水。
（戏剧冲突一般，故事情节张力也不太够，节奏也有些拖沓。完全是冲着赵震雄去看的）
就还行吧 比反贪风暴5 好看10倍那肯定妥妥的
剧情平平 比较想看民载变黑的情节就结束了！！！莫呀！！！！
居然是乔治克鲁尼导演的，他为什么不继续做演员？
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