With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
就是个意外，后面真的三军都出动了？话说年轻时候女主真漂
影片质量还可以，虽然文戏方面表现不佳，有一些剧情太过平淡，还有一些鸡肋的剧情；但秉承军事强国的风格，武戏方面有不错的发挥，有一些精彩的部分。实际上土耳其看似很强硬地击落了俄罗斯苏24战斗轰炸机，但普京的俄罗斯后续一系列行动，让土耳其极其被动，全面落于下风，在大棒+胡萝卜的攻势下，不得不主动向俄罗斯正式道歉，这就是国家实力的体现。影片质量正常情况下我只会给6.8分，但作为俄罗斯的主旋律影片，没想到最后竟然有感动到我，所以抬高一点，我4星7分！
真实事件改编 看的很过瘾 战斗场面不少 苏联解体那段看的人感慨万千 时代的更替 个人的选择 主人公从军校毕业 一路走来 最终践行了自己的誓言
有种拯救大兵瑞恩，壮志凌云，整合一起的感觉。
②“她叼都不叼我！”是哪位中文老师教的？我真的笑死了～😂拜托，既然有这么多说中文的片段，麻烦找一下配音吧。我发现韩国电影里从来就没有认真对待过中文。
勉强及格吧，没空天猎火爆，但是拍得比空天猎好，要说好看还是深入敌后拍得好。
松散的一言难尽，那么就随着牛顿不曾见过的纸飞机此致敬礼吧…
要先看第一集。一共是三部曲！魔女2片尾有彩蛋
没有想象的那么好，叙事过多战斗也没有那么过瘾。很有意思的是影片很着重的描写了俄罗斯接过苏联旗帜，继续保卫国家这个理念；另外一方面还在土耳其支持的反武装力量加入了美国人（而且还不是雇佣兵），白头盔什么的全往上面加，民族情绪拉满了。加上现在跟土耳其微妙的关系，这片有点意思。
没有字幕，但感触良多。特地下载了一个翻译软件，野生字幕。中间穿插的回忆，是非常好的设计，特别是结尾那段。穿插的回忆是苏联解体，信仰崩溃，遇见爱人，去叙利亚之前和民航那位上层最后的对话，“为俄罗斯服务就是我的工作”（手机就是这样翻译的），再到去叙利亚先立功，后牺牲，俄罗斯海陆空硬核救援另外一名飞行员，最后英雄遗体回国。最后那个纸飞机✈️飞向天空的情节真的很棒。苏联那段心情超级复杂，唉
人中哈士奇，狗中土耳其，没错就是狗
从经济的角度来看，优待战俘也许可以瓦解敌方的战斗意志，但是复仇消灭却能从一开始让敌人忌惮成为你的敌人，减少敌人的战争图谋。
说干就干 就是这么霸道。有仇必报。就看个场面，感情线剧情一般。
打肿脸充胖子，北极熊只剩下庞大的身躯，攻击力已跟不上潮流
俄罗斯主旋律，最后的大规模出动，现实中不好实现。不过对土耳其没啥好印象这是真的
3.5吧。
他大伯级的su-24拍出了五代机没有机械美感：粗笨/精巧，冰冷/手动，庞大/恐怖 说明不用抄袭壮志凌云也会很好
6.9/10 作为一部遭到资方撤资与创作阻拦的影片, 现今本应值得鼓励。 但以本片质量, 却难以给予更多鼓励。 世界观的扩充换来多方阵营, 可惜人物过多不仅使故事空有规模, 而且大量角色形象更是单薄入纸。 漫长的前奏与预埋的伏笔, 更令本片再次沦为续作的预告。 台词中大量的脏话, 演员蹩脚的外国语, 皆让本片相较前作拥有更多失误。 但同时完成度极其优秀, 规模更大份量更足的超能力对决, 在成熟的特效力加持下, 拥有足够的观赏性; 大量限制级场面, 也让这些场面更为紧张刺激。 此外济州岛的自然美景, 更令本片的观赏价值更为丰富。 愿第三部正式制作时, 导演能收起野心。 否则现两部待解疑问已过多, 再做加法, 本系列将彻底灭亡。
看看人家这主旋律电影！！
禁止在韩剧家长里短插科打诨里插入超级赛亚人段落！！！想看超炫酷打斗只需看最后40分钟即可！导演我劝你最好搞清楚观众想看这个系列到底是想看什么！！！剧情一泡烂的话起码就多给点无脑打戏，没人要看不好笑的烂笑话还有什么逛超市这种家常，我又不是在看搞笑一家人！
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