Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
三星半。对各种优秀前作的模仿，反派台词倒是挺有趣的：他都在设备里装摄像头了，你觉得他还在乎隐私吗？
剧情较为低龄化，但对社交网络、算法经济、跨国企业等热点的讽刺还是颇为到位。
对于3岁娃来说，理解社交网络绑架略微艰难，算是7岁娃娃的黑镜吧。
8，说真的，各类元素大杂烩确实啥都有但显得走马观花凌乱，抛去这些在我这值得5星，相比之下luca的纯粹性就做的更好。故事虽然很套路但真的巨好笑还彪了好几次泪，想起了从小到大一起傻过疯过的朋友们，没犯过二闯过祸的童年是不完整的啊，和今年的智能大反攻主题很类似，在科技社交网络泛滥的环境下，友情和亲情如何返璞归真？小婕和ron的配音太出彩了
3.5的样子。立意还是蛮好的，尤其是越来越邪恶的资本家的嘴脸和基本是在监控着孩子们的b-bot，虽然有意识要减少对电子产品的依赖但是发觉依旧基本生活在手机的监控之下。资本家和想要好好做产品（？）的研发间的矛盾也是老生常谈，很有触动的镜头是他们在云端看到的其他孩子的失落的那里，其实大家都是一样的孤独。现充的快乐无可替代
後面一度《不可能的任務》出戲。
看着看着就觉得无趣了，虽然是动画有些很夸张的成分，但觉得有些情节过于儿戏，而且虽说有那种让人不要过度依赖网络社交的意味，但男主最后这番操作让我觉得有点无语，不能联网我个人觉得真没啥意思，你自己喜欢就好了，为什么还要改变别的机器人的算法
我单方面宣布2021最佳动画属于它的
为什么不能从数据库里分出来一个复体给巴尼 最后还是只有他没有小白啊 虽然小白已经无处不在
(有好多个点：
用网络连接遥远的朋友对不对？只能和身边人成为朋友么？
还有里面一些关于俄罗斯移民美国暗线背景之类的，不同意识形态和文化背景下的孤独真的会比大多数同龄人经历的更深刻
比《超能陆战队》还好玩一些，台词真是太太太太好了！代入感很强，ron真是个萌宝，但感觉还是b宝公司受益最大，无偿得到了一次技术更新。
全片最暖心的镜头是床下的亮光，但片尾让小白消失的设定让我心情不适( ͡°ᴥ ͡° ʋ)没有煽情到我，还让我很气(-᷅_-᷄)
当我在烂番茄看到有人评论说A fresh and different movie的时候，我想说plz define fresh.
【7.5-】比《失控玩家》主题更明确，也更可爱
逻辑各种硬伤，剧情转折极硬，全片狂黑苹果和脸书，反派人物是照着库克画的吧……
同样机器科幻类题材 不如上半年的智能大反攻
最后的感动和拯救有点莫名其妙，本以为是部结合科技发展和人情味的深度好片，结果拍的平庸，主题也很模糊
电子化程序化人工智能化的“朋友” 爸爸和奶奶从路边买回来的损坏二手 进入cloud刷掉所有
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