The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
nightmare,怪诞大赏,说了很多又好像什么都没说。坚持10min后就想看完。
don’t really care about the story gets a bit boring at times but visually cool as fuck. puppet blood is revolting. too many references. so much work. the set is insane.
《2001:太空漫游》+《潜行者》+《生命之树》……?好吧,这种概括其实是一种思维的懒惰。这部电影,拥有着无与伦比的原创性。
只用惊艳到令人乍舌的视觉奇观就撑起了将近九十分钟的电影。
这是碳基生物能整出来的活?艺术过于超前了吧。
卡司里老的少的好演员这么多,电影拍得不错也是理所应当,也确实扭转了我对张伯伦的一些看法,大概是最近几天看了点一战相关吧,多少能够理解他避战的怀柔立场。然后看到演ss的八月和演反抗军杰尼斯的对手戏就一边感叹德国演员中青年交接棒,一边又有点想笑,德国电影圈子这么小,这些人不是在演nazi就是在演jew的路上,再不然就是国防军,反正谁都跑不了
视觉冲击力极强,风格偏向于渲染强烈情绪的表现主义,满眼尽是不堪入目的恐怖之物
有此片在,之前的所有重口味动画都是小菜。有此片在,之前的所有深度动画都是小儿科。
废土朋克+定格动画+末日题材+光怪陆离的血腥场景,看得出想映射核爆、压迫、专制的现实意义,可惜的是画风太过恶心,引起生理不适,快进着看完的。
很概念艺术性的动画,感觉是短片加长版,不适合搞这种长度,分段可能好些。
一部形式大于内容,但把形式推向极致的高级艺术寓言。
应该晚上睡觉前窝在被子里带耳机看,然而是白天外放看得,蛮先锋蛮cult的,类似某种噩梦。
但真的好重口味,而且我不觉得电影真正意义上结束了。
3.虽然板砖在致敬2001太空漫游,但故事还是少点意思。
末世噩梦,实验性很强,能引申出许多世界设定
观影前半段真的恶心到我了,血肉横飞毁灭重生,在这里,看到什么都不要觉得奇怪,深层的含义不想去想,单纯的过过眼瘾感受脑洞。
不幸的是,两三千年乃至最近百年的所谓人类文明史可以总结出一个规律∶百万分千万分乃至亿万分之一的狂徒可以将剩下的绝大多数拖入万劫不复
定格似乎非常擅长表现恐怖和赛博朋克的内容,但这部属于是形式大于内容了。
把所有令人不适的意象放在了一起,让人有些看不懂。
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