91d先生和c女士

91d先生和c女士 高清

评分：
9.0 推荐

分类： 剧情片 1999

导演： 尹大龙

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剧情介绍

　　Synopsis
　　"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
　　Notes
　　"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
　　A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
　　Afterword:
　　- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.

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评论:

  • 梓逸 4小时前 :

    一切有为法 有如梦幻泡影 如梦亦如幻 如露亦如电 当作如是观 8.5

  • 霞玉 7小时前 :

    名声决定一切的时代可不就得各种装嘛，可惜最终也没靠女人上位。

  • 邹思山 5小时前 :

    引用句评论:城市套路深，我要回农村。

  • 梦祥 7小时前 :

    但还是值得一看

  • 水好慕 9小时前 :

    阶级突破后得意忘形，打回原形，忘了自己想要什么！

  • 薇婷 0小时前 :

    再次为柯拉莉心痛一次。电影把小吕涮得真白，把妹夫那条线删完了。演得最好的是埃斯帕，看到她就想到禁治产开头那些话，不寒而栗……（西班牙教士，你在哪里？）

  • 滕雅惠 1小时前 :

    后来枪神出现。

  • 野萍韵 8小时前 :

    让我想去读一下原著了～巴尔扎克系列在现今社会越来越具有警示作用。

  • 焦紫萱 0小时前 :

    幻灭，可怜即可悲，同情又觉得一切都是顺理成章的KARMA

  • 震翱 9小时前 :

    曾几何时，

  • 枫霞 0小时前 :

    一部穷小子闯荡巴黎上层社会浮生录，改编自巴尔扎克同名小说，今年凯撒最佳影片。断断续续看了三次才看完，不过越到后面越精彩。吉亚诺利在法国影坛的地位确实尴尬，作者化痕迹较弱，但改编水准颇高。看到媒体舆论与社会现实的关系时，联想到时下的社会环境，相信会让很多人会心一笑。

  • 蔚振国 9小时前 :

    Vincent真的好会选角色…虽然拍得不算太好，但巴尔扎克拍电影比读起来更有趣哈哈哈哈哈。最重要的是印证了那句话，确实，总有人写的东西会被留下，会被记住。

  • 枫珊 5小时前 :

    其实多兰演得不错，没有拿凯撒奖最佳男配很可惜。女配演男主老婆的有点弱。

  • 泉浓绮 8小时前 :

    卢西安不是马丁伊登，马丁伊登成功后不知所措，卢西安成功后找到自我的支点和意义。然而庶出的贵族身份，就是卢西安的枷锁和宿命。在平民泥潭和贵族沙龙间里外不是人。卢西安幻灭后才不知所措。否定了他的文字，他也没有生存意义。

  • 梅静 3小时前 :

    因为 蒂姆·布雷克·尼尔才看的，小格局西部片，没想到他的真实身份是。。。。

  • 锐湛芳 8小时前 :

    多少个这样的心灵，

  • 翦秀美 7小时前 :

    如果读过原著，可能就看不下去。主要展现了19世纪巴黎新闻业的虚假以及人不可能实现阶级跨越。最感动的是贵族夫人从始至终对Lucien的欣赏与爱慕。

  • 香玥 5小时前 :

    终于看到了一部有劲儿的电影？爽，终于没有虚度一个午后！

  • 香锦 4小时前 :

    2021/12/4香港

  • 璐怡 8小时前 :

    一个农村文艺青年，喜欢写点酸诗，被本地侯爵夫人赏识，两人私奔到巴黎。然而，大都市从来都是爱情杀手，各种势力压迫下2人被迫分手，文学梦也在生活压力下破灭。

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