Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
剧情流俗平庸到难以置信，所有冲突和转折闭着眼可以预见，角色也完全不进行挖掘。唯一的亮点是史蒂文斯的颜值……
超级英雄这个事情和算卦或者说量子力学是一样的，就是个信不信的问题，信则灵，米国当然是信的，法兰西人家是压根就不信的，归根结底，就是搞一出法国拿手的喜剧。法德意苦米帝久矣，说白了就是看不惯这个乍富的小年轻。
好看，各大咖轮番出演助阵，故事也丰满完整，希望每一年都能有一两部这样高质量的篮球题材电影。
主要这个男二号选的人员欠考虑，不符合现实中的预期。
看到菲利普·拉肖出新片的时候就立刻加入了片单！没办法从《城市猎人》认识这个演员开始可是把他的片子找来看了很多~很对胃口~这部搞笑那是最基本的~依旧是用了很多超级英雄漫画的梗~也调侃了不少新闻事件~而且穿插还挺自然~而这一部更是做了个很不错的欧亨利式结尾，处理的很不错~强推此人！记住菲利普·拉肖！
二十年前质感的喜剧，让人想到自己刚触网刚可以看到各路电影＋网络恶搞短片刚出现的属于胡戈/大鹏的时代。整体属于往点子里加剧情的那种，有时候感觉太超过，有时候觉得很干，发挥好的时候像粉红豹惊声尖笑葛民辉周星驰早期的低级版无厘头脱线闹剧，发挥不好的时候就像晚期去拍大巴电影的朱延平刘镇伟。也可能是我的问题。另外第一次在电影里感觉到卸妆如换人。
虎头蛇尾，结尾结的太快了，而且冲突点不强烈
7.5分吧，“小国小民”式的法国幽默用来调侃美式个人英雄主义可以说是量身定做了。看似是一部自嘲恶搞超英的喜剧，实则内核还是关于爱与成长，虽然爱的探讨浮于表面但胜在跟自我吐槽一样怪有诚意的。PS：法国人自嘲起来真的太骚了，巴黎圣母院又被炸笑死我了！
是个人不太感冒的乌龙喜剧，全片高光可能就是山寨复联集结的那两分钟吧
每一个篮球迷看了都会喜欢的片子，篮球题材终于有一部拿得出手的励志片了
看完一部令人失望的超级英雄电影，急需一部吐槽超英电影的电影缓解一下。以前很少接触这种国外的无厘头电影，原来这么有意思，玩笑尺度都不小，DC漫威谁都不放过。阿汤哥表示，你们黑超英就黑吧，把我捎上干什么？还有那个《触不可及2：我又能走了》真是笑死我了，太地狱了。
虽溺入人海，百无禁忌，至少尚存善意的英雄梦。
看到叉汉子梗的部分笑死我。另外怎么欧美白男为何永远在解决daddy issues啦。（BGM好几次太同人作了xs）发现老爷没披风的造型（。）太他妈像马律师了（你够了
虽然稍微想一下就发现剧情挺假的，但观感还是挺爽的，客串的人可真是多啊
吾一贯比较不喜欢滑稽戏，即靠滑稽替代幽默的喜剧，通常很难得到吾之赞誉，大抵因为滑稽已经被巴斯特基顿、查理卓别林用得登峰造极，后世除了憨豆实在很少人或作品能把握好滑稽的尺度。
简单的故事 在总决落下帷幕 没有比赛看的档当口 也能过过眼瘾 勒布朗是投资方
1.知道一定会有人被捅屁眼，然后果然有人被捅了，但没想到预料之中的片段出现时还是好好笑；2.雷神、绿巨人、钢铁侠和美国队长出场的场景绝了，笑喷；3.对蜘蛛侠、超人和蝙蝠侠的恶搞也是有趣。
很法式，很幽默，尤其是圣母院又着火和靓佬汤屁股中枪的情节
从DC到漫威，超级英雄被恶搞的体无完肤，笑点烘托的很到位，虽然故事显得很俗套。
亚当桑德勒写给NBA的情书。电影瑕疵很多，但真心一片，诚意满满。以及绿凯竟然吃了个饼，这波总决之前的宣传可以有
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