With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
虽说超英都没什么内核 但还是能看出有新尝试 恐怖电影里有超级英雄的愿望实现了 （Olsen好美）
假如？之人玩鬼
旺达这个巫婆怎么能这么厉害(o^^o)
澳门场看完：好看！视效完美，本尼的演技让漫威商业片多了很多厚重感，奥妹演技也很赞，结局有点仓促，恐怖惊悚效果有，漫威片中的优秀生
所以这一部里奇异move on了，美国小姐学会了控制能力，旺达各种被编剧虐😂恐怖氛围做得相当不错，就是音乐对决那一段太扯了
感觉奇异博士有点鸡肋
好多jump scare，不过还挺喜欢这个风格的～很喜欢🎵打架这段！
博士展现划水式战力，新人展现傻眼式演技，剧情可归纳为：《旺达你闹够了没有》。
我挺喜欢奇异博士这个人物设定，但是多元宇宙搞得我头晕……
拍得跟恐怖cult片似的；用音符对战的那一段还挺有意思的；片名完全不提猩红女巫，但猩红女巫占了50%的片长；旺达又又又又一次被刀了。
为了让恐怖效果加倍，伊丽莎白奥尔森硬是化妆成了维拉法米加…
with L. 3.5星. 憋尿在drive in cinema看的，教授出来的那一刻惊得我almost wet my pants
疯狂多元宇宙（❌）疯狂女巫妈妈（✓）
还不错！魔法的特效做的很眼花缭乱。剧情中规中矩，一贯的漫威电影水准。
漫威进步了，好好看好刺激呀！希望以后都按这个进步一部比一部好。
即使看的4d场也没有感觉到多恐怖，但法师对打实在太爽了（especially音符大战
本来想看看奇异博士有多厉害，结果全场被猩红女巫追着打。旺达这战斗力和意志力，啧，爱上了。
虽然心脏吓痛了几次 打斗戏不错 剧情还是比较差啊 ！为LGBT打Call
again不太喜欢这种悲情的被压着打的超级英雄。还有trailer的画风和正片差别也太大了，trailer看起来还以为是奇异博士打其他宇宙的反派奇异博士，结果正片是wanda化身恐怖片女主…不过剧本确实是最近一年mcu最不儿戏的一部，联动很有诚意。
脑洞挺大，仅此而已，光照会那5个人给绯红女巫暴打是认真的嘛
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