Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
还是那个帅气的老头，故事一般，老头不适合个人救赎，还不如直接拍成暴力黑暗系，把老头黑化！小女孩先要被亲身父母弄死，结果小女孩反杀，先砍了妈的手，后捅了爹的背，就连狗都咬背叛自己的主人。这个编剧好样的！
6.8
中规中矩的励志片！就纳闷，老美个顶个是鸡汤高手。
复仇剧，少了第一部地下室那种kinky的成分，也少了密室的紧迫感，老头还是很猛，但这个小姑娘有点讨人嫌
简直就是杀来杀去的血浆片，毫无逻辑毫无意义的故事。比第一部差很远，屏住呼吸的构思也只有在一开始房间里那段才得到传承，后面就是编剧一通瞎编。
挺好看的 有几幕有点出戏但是不影响整体 第一部橄榄球电影
那场长镜头有点儿难度，
最后老爷子还是没有好的结果，应该是对第一部中囚禁女孩子导致其间接死亡的处理吧。不是坏人，但也有罪错在生。
看了看导演的几个作品，都和福音电影有关系，但这部电影拍的不咸不淡，没有福音的话是一部不错的电影，如果要拍福音的话，拍的不突出，反而弱了一些。
即使获得再大的成就，如果没有相爱的人来分享，依然开心不起来。说回电影，这哥们努力了，成功不是偶然，教练功不可没。
前半段以盲为点的悬疑
感觉电影不能叫《屏住呼吸》了，没了第一部不敢出声的紧张压抑感，打斗观赏性也没第一部好（感觉好笨重）
想到第一部老头干的那些事儿，就对他完全同情不起来。但最后他的自我忏悔和对小姑娘说U have saved me却真的有一点点动容。再拍估计得让小女孩做主角了吧。p.s 片尾有彩蛋，老头子估计没死。生命力太顽强了！
后半程渐入佳境，稳定发挥，对Kurt的第一场NFL比赛的完美还原令人为之动容。
看完恐怖片系列88：屏住呼吸2.
堪称艺术美学。
比第一部差了不少，跟第一部基本上没关系可以当做平行世界的故事来看，重点是把屏住呼吸这个核心抛弃了，完全没有看第一部跟角色们一起憋着一口气的感觉，变成了一部平庸的虐杀片，各个方面都挺一般，有点砸口碑了。
[视]R血。前传性质续集，五年了。前作“精华”部分令人难忘，本作老兵对老兵，动作戏增加。场景就两个大房子，时间上两天一夜，节奏紧凑，复仇片。小女孩和狗狗的情感转折。常用标签里竟然没有“动作”
完成度高不说，血浆增量，暴力升级。
简直是爽文小说一样的剧情，但是导演安排的很好，感情戏和励志部分都恰到好处，远超预期的一部电影。
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