The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
“你不需要成为别人，你只需要成为自己。”
成人的视角：笑点不太密集；孩子的视角：太好玩了，打100分。ps：给导演一个建议，孩子们特别喜欢搞笑的追逐戏，看完电影后我家孩子记得的就是阿布被🌵扎到的镜头，我认为那段笑点比较密
里面美丽的场景画面、一流的特效、对熊二这个人物的完美刻画使得电影整体而言中等偏上，也有些友情、亲情、爱情的融合～
激烈打斗场面是我娃不喜欢的
陪娃看。////这个系列娃真是百看不厌，就是费妈。
你看现在哪里还有熊？这都是电影院的熊，你嫌贵我还嫌贵呢。
Boonie Bears每年的贺岁大电影和每天电视里播的剧集完全是两种调性。去年的感觉COS了高科技版“动物城”。今年则“致敬”了漫游太空、星河战舰、环太平洋。真是剧集超低幼，剧场高科技。又科幻又热血，也少不了友谊和温情。这种创作思路简直逆天。甚至带动了周边，可以一边卖毛绒玩具，一边卖机甲……
天哪这不碾压其他贺岁档😭虽然故事还是一样拉，反派还是一样的经典好莱坞欲望"巫女"形象，不过熊二终于成为主角了
远古科技宇宙远航，空天母舰万弹齐发，激光巨炮贯穿天际，巨型机甲近身肉搏。对，你没听错，这就是熊出没，对，他真的拍得很好看！
nb啊 （喵星人，eva，生态科技后末日外太空移民…） 国产商业动画果然比国产商业电影强了 或可比肩美国
哈哈哈。电影本身一般，感觉像一个大糅合，猫咪的感觉好像哪吒，光头强变小变帅脸变短了，牛夫人感觉也好像某个动漫人物，再融入科幻元素啥啥的。。。一些台词也是觉得，emmm一言难尽吧。
小时候有多喜欢《雪岭熊风》，我现在就有多讨厌《重返地球》。就本片借鉴缝合的程度来看，《重返地球》跟《白蛇2》又有什么差别？完全跟当下的漫威一样沦为被马丁斯科赛斯所批判的对象，为了满足观众的消费需求将电影杂糅成“游乐园”式的无脑爽片，各种照搬别的IP。当然这还不是最严重的，因为剧本上也是缝自家的《雪岭熊风》，将过往的佳章洗黑一遍再洗白。再顺带仿了下《白蛇2》的价值观，拿保护地球的噱头批判全世界的人都是恶人，还非要黑男权和女权？我真是怒不可遏了，这一届的国产动画电影为了流量都不需要尊重儿童和青少年的三观养成是吧！！莫名其妙把女性黑成极端分子，我身为男性都想怒扇制作组这种作呕的人物设计啊！！
阿布被拖着撞仙人掌那段和猫和老鼠梦幻联动。
过年第二部。熊出没每年稳稳基本盘不是没有道理的，成人看着也很有意思，故事完整，特效给力，超过太多国产动画了。熊大熊二加入刺杀小说家宇宙。故事完整，特效能7分。
发现史前文明百万年前城市遗迹无动于衷，直接毁灭，只为得到其中一个武器？？？得到了武器不是好好研究，而是第一时间坐进去，反派也没这么无脑吧。
不错子，特效好评，立意好评，给小孩看很足够了，我看得也蛮开心，保护环境熊熊有责！
一言难尽的容梗片，但架不住全场小朋友开开心心。
第一次看春节档的熊出没 完全颠覆了我看电视版熊出没的印象 剧场版制作上已经是合格的商业片水平了 剧情上比漫威英雄片好看一点 笑点很足不低级 就是憨憨的那种让人发笑 “机器猫”也超酷的 造型我好爱 场景建模不俗气很漂亮 最后熊大安慰熊二那里还把我看哭了 虽然有些套路的工具人角色和剧情 但一点也不影响观感 去年春节档把各个类型的都看了个遍 今年只有动画片可以看了
光头强美颜了越来越嫩！小家伙点单来看老牌国产动画巨制。熊出没一直走环境保护路线，再结合亲情、友情，大电影能这么科幻，构思新潮，特效一流，老少皆宜，整体不错，值得一看！反派小姐姐美到不行哟！
节奏很不错，配乐也好，中间还弄了一段歌舞表演，动画片来说很不错了，好于很多大片了
Copyright © 2015-2023 All Rights Reserved
