Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
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第一条样板戏；第二条散文诗；第四条麻花独角戏。就《鸭先知》还可以。
徐峥部分有点意思，不过也是因为运镜和叙事明显看出了许多名作的影子
1.为什么不能叫我和我的长辈？2.期待看徐峥按鸭先知的风格执导一部长片。6
《少年行》，2星半，故事老套尴尬，比吴京好在没那么重的直男味儿。
都去掉结尾其实都挺好的，因此暴露了主旋律电影只为说教不为艺术的意图。
火箭是/为了自由/抛弃自己的东西/
前两个故事虽然好但是太压抑了，后两个故事虽然欢乐但是过于简陋，大国和小家的命运当然息息相关，不强求做一个对国家有用的人，先从做一个正直的人开始
徐峥的部分最有诚意，故事也最好看，沈腾的部分也不算太糟。这部电影看起来更像宣传片。
崔健——别以为年轻20岁、30岁，我们就不是一代人。只要那张照片还挂在那，我们就还是同一代人
徐峥的片段值得四星鼓励，沈腾的片段三星吧后面挺感动的。
个人喜好顺序鸭先知，诗，少年行，乘风。
前两个还可以，后两个emmm,还好没去电影院
死亡是验证生命的东西
10.4 我和我的父辈@深圳金逸影城宝安大仟里店
见你未见的世界
按理说只看了吴京的部分不能代表全部作品，但是谁让他放在第一part呢，我看完第一part就没有看完的欲望了
我要咆哮，为什么诗不是整个电影？这种拼盘式电影究竟做起来有何意思？
我觉得这一系列都差不多，就当我看过。其实不重要。
徐峥段落最好看，少年行里面的开心麻花喜剧元素很棒，就是感觉太像命题作文了，总之观感有点尬
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