Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
女主开车帅，最后打架也帅。。
还不错！故事老套，飙车和动作还不错，电影三星，女主加一星！
还行吧，爆米花电影，说女版大叔那可太抬举这部电影了，女主角的小单眼皮分分钟出戏啊，打斗的重力感还行，至少能看，反派为啥都这么话痨➕变态呢？
三星：类型爽片，飙车设计很不错，反一号比较出彩，有点像奇道...
几处动作片满分。韩国动作片就这点好一直没落下，干脆，写实。
看个热闹 节奏很好 比我最近看的这个营救那个特工 好看多了
开局就飙车很飒吸引眼球，后面步步被逼没有新意，尤其最后的送人头太拉分
女主开车帅，最后打架也帅。。
剧情挺俗套的 但是动作戏和音乐都非常带感 朴素丹很不错阿 反派黑警有点这个杀手不太冷的反派的感觉 最后咋活下来的没弄懂
合格的爽片，这个剧情模式看到金义成的社长还以为是模范出租车拍电影了，朴素丹饰的女主很出彩。
抱着陪看的心态，结果却发现这部
还不错！故事老套，飙车和动作还不错，电影三星，女主加一星！
总体来说还算不错，保持了韩国电影一贯风格，基本上无尿点。
唯一的价值是某某影片低配版的电影，有什么价值呢？
韩式巷口飞车迷藏，停车场砸门晃眼坠楼武斗，码头螺丝批女侠百人斩；一点《Drive》的音乐，一点《车手》的车技，一点《The Driver》的凹造型，一点《Baby Driver》的节奏，一点《Leon》的老少配和黑警，一点韩式动作片行货，不功不过。PS：那个露肌肉的mini-boss只出来洗了下衣服揍了下朝鲜族就躺平了，片酬没谈拢？剧情反套路？
美女司机专门送人跑路。接的一单是警方参与的打假球团伙成员，带着其儿子一路狂奔，可警察找到了住地。。。happy ending
几处动作片满分。韩国动作片就这点好一直没落下，干脆，写实。
女版非常人贩。简单说就是熊孩子玩手机坑爹的故事
女主长的好像yamy
出一个100分钟侧方位漂移入位的停车教学或者花絮都比这个剧本好。
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