Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
倒也不至于这么不堪，作为跨年合家欢电影timing卡得刚好。华丽卡司，及格线以上的水准。最精彩的是韩志旼和Morning call，韩志旼之我爱上了我的朋友却不敢表白的老套剧情演得不那么无聊，直接闪婚这有些逻辑不通，我最了解你可是还是娶了别人太刀了。最不喜欢的李栋旭元真儿，为什么霸总突然爱上清洁合同工？阖家欢乐辞旧迎新的时刻依然还是有伤心难过想要寻短见的时刻。2021年就到这里为止了，明年重新开始吧！
感觉还可以，挺温馨的，打发时间可以看看这个，或者喜欢这种类型的也可以了解一下
棒子的新年是跟西方一样了么？对于棒子演员有点脸盲，不是很分得清楚哪个是哪个（掩脸），哪个酒店大堂经理之类的姐姐最后被相亲对象说你原因跟我相亲嘛的那个想一想的灵动，突然怦然心动呢，但是我还是不知道她本人叫啥名字，哈~~~2个小时看一部爱情电影，轻轻松松的，本来人家拍是给小情侣看的吧，目标很明确，就不挑啥演技啊剧本啊故事啊之类的了
看来这个世界只有谈对象才完美？
但是乱配我真的接受不了，即使是概念
好一般，原来韩国也有贺岁电影，合家欢的爱情电影，套路没有什么新意，有点乏味
毫无关联、毫无故事性、碎片化的小品。只是为了迎合满足粉丝，各种不接地气的组合都一起来，一众明星露脸参演贺岁片。
很有创意的一个对于“灵魂伴侣”的探究，怎样的组合才能走到最后：势均力敌，趣味相投 VS 截然不同，冲突很多，却能够相互更加包容。好像没有必要去考究，因为无论怎样的组合，都是需要去经营，只是与不同的人 会有不同的相处模式。
电影剪辑的稀巴烂， 无法让人沉浸感情。最让人记忆深刻的还是李光洙，演技真赞！
要不是又好听的歌曲好看的演员撑着，我估计就弃剧了～情节么不用说了！
韩国的一部热热闹闹 轻轻松松 温馨温暖的爆米花贺岁片 全明星阵容 颜值在线 演技在线 不知道有什么理由不看呢 里面竟然还有好久不见的徐康俊欧巴 天啊 这该死的魅惑容颜 那迷死人的双眼 感觉看我一眼我就直接死了~~
剧情很老套，看得很开心。新年快乐！（四星里面两星给这群我爱的演员，李阵郁+韩志旼，允儿+姜河那，就这样拍roco드라마吧。）
只是为了韩志旼姐姐看的，不能多给我姐姐一点镜头吗。电影真的很无趣很套路，林允儿喜欢一个废物呵呵
没有那么不堪吧… 刚开始看确实没抱啥希望，但没想到看到最后泪目了。除了光洙那条线其他都还挺自然的啊，细细看完真的很温馨。有被老年组感动到。
6.3分。想要拍得很有意思，但事实却是很乱。不过总体还可以，能看。毕竟是意大利🇮🇹人，逻辑混乱很正常😂
新年将至，有人胸怀梦想却困于现实；有人错失所爱并成全他人；也有人自我否定与叫醒服务邂逅。无论此时你在哪里，心情境遇如何，都记得对自己和身边的人说一声“新年快乐”！
还好是2021最后一部烂片而不是2022第一部
今天拿回了手机看完这个才觉得真的从2021来到2022😭明天有动力继续跟工作死磕然后过年咯
在听觉方面真的不错，叫醒服务真的很…暖…“你是这世上最珍贵的”这样的歌词也真的很打动我…谁懂…也许你在无意中就拯救了绝望的人呢。《废柴舅舅》里，舅舅说他曾经想过跳海，但是，突然闻到了一股味道，好像是很美味的东西，他想，吃了再死吧，结果吃的时候就觉得很委屈，凭什么放着这么好吃的东西去死。我们啊，都是靠着一些小小的理由活下去的。
虽然有的剧情略显莫名其妙，但年末吃着爆米花看看这种不过脑子的大团圆剧也不是不行🎉
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