The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
即便是绳艺黄政民这么劲爆的内容，我也是不断拖动进度条才看完的……
改编的不错，原版绑匪出彩，这版人质出彩，彻底的韩影风格，可看。
这选角是真不行，这绑匪我看着都能30秒内把他打在地上跪着叫爹。
黄政民被导演绑架拍的这部片子。比原版稍好的地方是加进来的几个女性角色，但原版偏现实主义的犯罪风格全被韩国典型商业片花里胡哨那一套给取代了，太吵了，即使不考虑原版，也是不及格的商业片。
一般，专程来看黄政民嘞，没想到剧情很一般感觉没咱们好看。
黄叔solo单曲，所有的剧情、角色都是给黄政民服务，总结一个字：牛逼！
[拳头][拳头][拳头]还不如王炸组合所拍摄执导的生化武器好呢[擦汗][擦汗][擦汗]
失败的翻拍，完全靠黄政民撑场面，一时分不清反派和警察谁更傻逼~5.5
完全成了个犯罪动作片，远不如《解救吾先生》
#解救吾先生 把想绑架的刘德华弄来当主演，吴若甫演个警察。韩国改编版更绝，戏中戏啊。
韩影近几年真的低迷了不少 这翻拍真的无力吐槽 4分吧
竟然把我心中十分的电影拍成了流水线制品，黄政民你真的被绑架了就眨眨眼。
表演痕迹太大了
改编的太“韩国电影”了，不如吾先生细腻，又变成了韩式的暴力撕扯。黄政民一个惨字，正常发挥，其他没什么意思
代入感极差，私生饭要求政民念台词，阿西吧累～，原版珠玉在前，叙事节奏流畅各方面的优点，在翻拍这里都没有，反派缺个“余皑磊”式的人物。
翻拍评分有些低，从节奏与娱乐性上我更喜欢黄政民的版本。
黄证明还是在“演”
好看，黄政民从不让我失望，那个小美女既跟丁青又跟李子城搭担，凑齐brother,梦幻联动。
“这里给男主加一场十五分钟的打戏”
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