Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
宁愿累死自己，也要卷死对手。最后只有两败俱伤，或者进退两难，这就是内卷。
还可以，基调挺轻松的，不大篇幅煽情挺好的，去掉几个网络段子可以更好
崔志佳的又一部自导自演的片子，观感不如东北告别天团，能看出来很多场景都是跟那部一起的，崔的表演方式也基本平移过来，用来解闷还可以，也有其存在的价值。
虽然是一部网大，可笑点该有的有，剧情也连贯，让人看来了很开心。
挺好看的。过程精彩。任何事情都要想办法解决。只要想办法，就会有出路。
以后对网络电影特别是小品演员主演的还是少些期待吧。
我来给你们翻译一下，什么TM的叫做TM的惊喜，这部原本让人不抱期望的网大就TM的叫做惊喜
故事老套但真情演绎。PS：国产喜剧“组队打怪”的模式何时才能改进？
经典的迪士尼儿童片 休闲娱乐的时候看挺愉快的 话说小男孩内特真的好帅啊 他哥哥也挺帅的
本来三分 看到豆瓣一群装逼犯都打一分两分我就忍不了了 张口就说把观众当弱智 这哪里弱智了 我的阅片量不比你们键盘侠少 虽故事比较套路 但诚意绝对足以及格 你们才是一群弱智
全片2分无新意，只有男主老婆的那句台词：“两个工作你选一个，选一个自己喜欢的。”那个片段瞬间泪目。这大概就是真正爱你的人吧。老爷子不愧是老戏骨，唯一一个演技在线的。
哈哈glee初中版诶find your light哭死我==
两星半，故事笑点什么的，其实都挺一般的。
自然流畅不尬 大金链子小手表 一天三顿小烧烤 是东北没错啦
还可以，基调挺轻松的，不大篇幅煽情挺好的，去掉几个网络段子可以更好
理解与爱真的很重要，夫复何求呢
13岁小孩逐梦百老汇，中规中矩的励志片。但放在迪士尼的儿童/歌舞坐标系却是了不起的进步
崔志佳自导自演了一个不错的片，秒杀一众东北片，我被崔志佳圈粉了。
与告别天团相比，它的结尾比告别天团好很多，但是剧情照告别天团差一些。
我就一个普通老百姓，看完觉得挺逗的，看的挺开心
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