Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
唠嗑，东北人不是和德国人像，和印度人比较像，喜欢唠嗑
没想到印度能拍出这样的电影，虽然细节瑕疵比较多，但总的来说不错。
基调是逗比喜剧，主题是形婚领养，只有一首歌舞已经很收敛了，为了现实意义多打一星。PS:男主身材不错
2.5星，一般般。剧情比较套路，一点惊喜都没有。难道就因为印度的LGBT现状比国内好就宽容的给高分?
逻辑自洽，想表达的东西讲清楚了，有血有泪，也有小幽默，难得
喜欢家庭氛围的部分，很亲切。姐夫，母亲两个角色最搞笑。
两对有情人的遇见到触碰氛围烘托的不错。大圆满结局固然好，但太过于完美了。
繁华喜宴易成，漫长岁月难度。宗教信仰悬在远方，行规法律缚住四肢，流言习俗刺在脸颊，玫瑰花蕊藏在制服内，却被眼波流转出卖，喑哑的喉咙只能在夜晚互舐低鸣。炽热的目光逐渐暗淡，灼烧的期待终将寒凉，打一场旷日持久的仗，等荆棘满途全枯死。这愿望很悠长，亦决心走到底，待沧海桑田，听涛生潮起。
有两个场景让我热泪盈眶，一个是pride游行，一个是莉姆提姆被苏曼父亲承认。
把LGBT个人认同、社会认同的现实压力通过诙谐幽默表现出来，隔壁比我们玩得好
印度电影虽然敢拍，但要动辄两三个小时长的电影，实在没耐心看
三观超正，超勇敢，无论现实如何，起码阿三敢想敢拍，反观。。我没脸说
隔壁阿三都能拍出这种电影 里面的gay主真的刻画得很好 男性的甩锅，不负责，抠门，某些时候的无脑体现得淋漓尽致 相爱的两个人，眼神就能看出来是否相爱，天雷勾地火，一触即燃。 嘤嘤嘤，我一外人都磕到了磕到了😭
印度在某些方面都在慢慢努力变好，至少还看得到些许希望。
就，很真实…前面的部分放在中国来说完全不违和。而且导演真的很懂gay，里面的肌肉，gaydar，然后许多gay也存在的男性毛病，都有体现。男主妈妈的反应真的算是很好了。印度的审查制度真的远超我国了🥲这样的结局真的太圆满了。什么时候我们才能有gay pride parade啊？羡慕子。（男主身材🉑）
真的是非常佩服，宝莱坞印度电影把一个沉重的话题阐述得如此清楚而又温暖，影片中融合了同性、催婚、催生、同性家庭等各种敏感的话题，是一部温暖而严肃的影片。
只能说人家真得越来越超前，最后一段很感人。再看看我们这，呵呵
有一点啊，是不是没有征求这个被领养孩子的意见啊？人家本来也是可以被正常夫妻领养的啊
所以现在还剩哪些地域不能正大光明的拍这样的片子？
同性恋男女的形婚生活，先是为了父母，后是为了领养孩子。
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