“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
是俗套的py变情人，但是看得好开心啊，喜欢全钟瑞
太喜欢孙锡久了 整部电影就像男主写的文章一样 说是谈性 其实恰巧规避了性 反倒更柏拉图 也挺好 但就是性也没深入聊 思想也没更深入探讨 淡淡的 没劲儿吧也
孙锡久的问题是类型化了，到了这种稍微有点懵懂落魄的人设，就变得演什么不像什么，总感觉他成竹在胸扮猪吃虎，违和呀。
本身感动催泪励志的真实故事，被拍的稀巴烂。没有重点，台词强行鸡汤。因为提前场观影，看到的幕后花絮中，男女主原型夫妇过度干预作品拍摄，导致出来的成果四不像，还不如一个伟大运动员人物自传的纪录片。
单说剧情的话，太幼稚单调，没起伏波澜，一眼看到结局。
打炮出真情系列（仅吐槽这个内核有点子好笑，约炮软件上是不可能有优质对象的）这算寒国人的年末贺岁电影吧，确实和国内的味差不太多，要合家欢所以不能太有内涵也不能太深刻更不可能香艳
前三分之二还蛮有意思的，坦然的男女对白，犀利的节奏感都不错，几处关于情感的灵性之笔相信是编剧和导演郑佳映的日常感悟。从闹婚礼和游乐园不经意看到手机内容，剧情就往俗的方向发展了。并不是不好，放在某种标准下依然是不错的爱情片。就是可惜了，没往男女情感的深处再推一步。
7分，当然不值四星的，非常像十几年前的韩国爱情电影，结局很无聊，但是全钟瑞太漂亮了，一直觉得孙锡久好像性感版曹承佑哈哈哈哈哈，最喜欢酒馆那场戏。
不知道为啥就是喜欢喜欢 这两个人简直性张力max 想看他俩多演点19🈲️
第一次看美式football这么鸡冻，男主棱角分明的脸蛋和发达的肌肉很赞，又激起了我继续去健身房虐肉的欲望了
3.5 我可以跟着你吗🥹 （“我想你”的韩语好好听 好喜欢 pukuxiposo
三星半。很有意思的电影，先性后恋爱，日久生情。因为全钟瑞孙锡久，感觉很浪漫。如果真的有鹊桥app，有种代言人的错觉。
孙锡久每次只要表演微醺的表情我就缴械投降。怎么会有人从头到尾长在我审美点之上。但是即便是孙锡久加上全钟瑞的演技组合，也不能拯救剧本的寡淡无味。这样的故事少了需要大幅度描绘的sex画面情节还有什么意思?
约炮约出真感情，几次喝酒和抢礼金本都很有意思
很久没看韩式爱情小品了，为这几年我心里最性感的男女演员加多一星，希望他们换个片种再合作
虽然大线剧情俗套，但是有些细节例如女主性格还是有新颖之处。29岁如果我也能遇到这样的缘分也许也不错。太爱全钟瑞了怎么会有这么美妙的女孩子。
好看啊；男主偷走了别人婚礼的礼金登记册好可爱、尺度正好；女主喝醉哭不是因为被网络诋毁或者背叛或被看轻，更多是期待被爱的心被狠狠泼了冷水；男主真正受到了惩罚；不是偶遇，是因为还爱着所有一直在等；结尾也一点都不煽情。整体又很轻松，喜欢
拍性喜剧就认真一点啊喂！白瞎了wuli锡久！
题材实在俗套，但是还是好喜欢女生，天生吃演员饭的
美国电影总是体现着美好爱情和英雄主义，也确实，这样是可以让很多人崇拜和向往的。运动题材总能拍的这么好，我国还是荒地，希望今后多出一些好的运动片子。
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