With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
第一看完了很高兴，第二，居然最后没有让他们拿到财宝，这真的是一个不一样的结局。
裹脚布又臭又长，全程碎嘴又难笑。一点都不悬疑，也毫无奇幻剧情。跟我国抢救性挖掘历史文物电影一脉相传，什么传说神迹都是虚晃一枪。
好莱坞的编剧已经失去创作能力了吗？虽然本片请出了58岁的桑德拉布洛克和小她16岁的查宁塔图姆搭档，但依然难掩平庸。
蛋妞是直接从惊天魔盗团2穿越过来的吧；剧情好拉胯；两颗星分别给钱宁的左屁股和右屁股。
2.5星。嘻嘻哈哈，可以很輕鬆觀影，演技不拉垮。
金色长发的钱老板，在布拉德皮特旁边全程柔弱无助的钱老板，赤身裸体的钱老板……哎呀，就……
算合格的类型片吧，除了满脸玻尿酸的女主和查宁真不搭，布拉德的2次出场和便当让我很惊喜，全片没那么差，但是确实不够好。。。消遣看看还可以的
算合格的类型片吧，除了满脸玻尿酸的女主和查宁真不搭，布拉德的2次出场和便当让我很惊喜，全片没那么差，但是确实不够好。。。消遣看看还可以的
【6】以后能在电影院看到的都是这种流水线产物，本来在我看来这种电影起码能“糊弄普通观众”，再这样下去普通观众也要看透好莱坞的那点招式了。以为是个寻宝片，在最后一段之前甚至没个像样的冒险场景，真以为靠这点角色魅力能撑起全片？
“你就像个人类木乃伊……”
还可以，剧情上比《神秘海域》好那么一丢丢，至少不乱，其他的就乏味可陈了。但是布拉德·皮特的客串还是很有意思的 ，就是下线的太仓促了。哦 ，还有，哈利·波特又来演反派了
烂片，同样是冒险片，比口碑一般的《神秘海域》还更烂，本片就一穷酸项目，靠演员阵容吸引眼球，内里都是低俗的老一套，嘴炮支撑，而且通篇没觉得多好笑，一本正经的胡说八道既视感，打着冒险夺宝的爱情向电影，两位男女主角也毫无火花，姨姨带侄子玩的戏码，过程智障，反派软趴，连结尾的冒险终点站都看得出的糊弄，也就布拉德皮特出现那段还有点意外入侵的惊喜度，其它一切平平无奇，好莱坞近几年真的过于偷懒，连类型片的复刻都难演出新花样，一幅死猪不怕开水烫的what ever态度，那评分就绝对不能客气。★
女主的脸已经僵成骷髅了，还在装性感。
真的就是三流低俗小说的剧本还没有“低俗”的画面。。。
真的不太好笑，迷失之城和宝藏部分又如此缺乏想象力，正反派都没有魅力，唯一好看的也就是那个屁股了
最近两年还真是流行这种贱兮兮的商业喜剧，带点科幻或者冒险元素，插科打诨、谈情说爱，设置些反套路的桥段，最终又回归到套路的模式。ps：布拉德·皮特以后可以多整整这种形式的客串，几乎承包了90%的笑点。
[视]派拉蒙流媒体。三肤色开场，老子，道德经，饥饿游戏，飓风营救。亮片紧身衣，光头光腚舞者，动作戏少，解谜戏少，片名<迷失Z城>，情感升华戏频繁，皮特客串，结尾有彩蛋。小岛火山，葱郁盎然，丛林摩托，瀑布攀岩，成本有限，特效还行
虽然很typical，但是让帅哥美女演傻逼真的很好笑，这部的查宁就是瞒天过海美人计的安妮海瑟薇。
挺轻松愉快的片，稍微有点长了，不过也还好。查宁塔图姆和巴拉德皮特在片中真的很搞笑，两主角的化学反应也还行吧，不抱任何期待的随便拿来消遣消遣，我觉得还是可以的。
探险真是永恒的题材，皮特打酱油是万万没想到
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