Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这部电影最大的败笔就是：无论是炸弹还是子弹，都只会让剧情需要死的人死。最大的亮点就是女主和男主选得都不错，动作戏OK。
失明后，听力那么好，没有太多介绍，整体人物过于亢奋，女主角演的有点尬，估计在演她想象中的变态吧。动作不错。
如果把出品方换成网飞，那评分肯定8.0往上。
所以就是说国内配音为什么要加那么多奇奇怪怪的网络流行语啊…好尬… 果真是儿童电影来着，就剧情也有点点尬…还老是有种皮克斯动画的既视感？但是又是很劣质痕迹很重的那种…那段唱歌尬的我直接原地升天886
三分给国际化电影配乐和打斗场面。
及格了，前面铺垫有点多，上海场景不多，我就纳闷了，不管成人片还是儿童片，都说了还有9分钟要爆炸了，要灭绝了，主角俩还非得叨叨2分钟，不说煽情的话那聪明的小脑瓜就想不出解决的办法是不是？忍不了。画面挺好，有笑点有萌点，少叨叨就好了。
最好看点是拴着狗链的情节真多，估计导演有这方面的特殊癖好。我嘛，看着也挺过瘾啊。咳咳咳，好像说错了什么。
影片中还有很多历史小知识
还是可以的
《盲战》个人觉得这一次安志杰是来拯救网大的，在中国网大也鲜有这样还可以的作品，故事：《夜魔侠》➕《飓风营救》再加一条恶女复仇，正男一与恶女一均有前后呼应的动作戏长镜头，相较之下有功夫底子的安志杰赢，但演技方面扮演恶女的杨杏发挥空间更大未来可期。QJ
有些人说作为网大电影就可以了，网大就应该凑合啊，可惜了安志杰。。。动作场面马马虎虎，剧情就更甭提了。。。演员一个个一看就是在演电影。。。
就是上帝之手开的有点大
电影动作足够精彩，在网大里算是不错的了，但论剧情只能算中规中矩，两个主角的不死光环太离谱了，一个听声辨位的狂战士，如果按照正常逻辑可能活不过半程。从龙王到金刚，一场一对多一场一对一，安志杰打得比较过瘾，可毕竟是警察出身还有一丝善念。杀人还得杨杏出手，看她用刀用枪行云流水，这才是观众期待的爽点。
一星给女主，其余完全不能看，动作戏毫无速度和力量感，明显摆拍的痕迹，画面也缺乏质感，剧情更是傻得一逼
影片在动作和特效方面还可以，主要问题都在人物刻画和画面营造上面，杨杏和张亚奇明显是想塑造成小丑和哈莉奎茵那种神经质雌雄双煞，可惜用力过猛了，卫生间的铺垫有些鸡肋，而法院的展现显得特别夸张；而作为大男主的安志杰在一众呆板可以的任务当中，显得演技很是在线，但是为了塑造这个角色的成长，整体上有些偏于逻辑了，这方面不赖他，编剧的问题，而导演的问题是画面语言的处理过于潦草，没能将故事讲的简单明了，预告片不错，正片跑品质也就五分的样子吧……
还是可以的
盲人打架再优化一点吧，感觉跟正常人打架没多大区别
老少皆宜的一部电影，小孩子能笑，大人也能笑，确实不错，值得一家人去观影
很高兴安志杰又有新戏拍，两分都是给安志杰的。
其实不盲可能更好看，没必要非要个盲人来当卖点，我就说女主像谁，就是小丑女啊
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