Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
对话不够精彩，剧情也伴随着无聊，转折没有意思。
推荐一看。既有商业片的枪战飞车动作元素，也有对人性善恶的解读。节奏把握好。后面出场的杀人魔安东尼特别夸张，有点黑色幽默感。演员很简单，就那么几个，但总体表演都不错。
前摇过长，节奏略怪，女主演技完全担不起女主，倒是两个杀手的对戏还挺有看点，一般
密闭空间里能做出的张力都做出来了，够血腥也够暴力，如果不要那些闪回和警局以外的镜头就更喜欢了
黑人女警挺好的呀，只能说简中的种族歧视令人发指。牛仔风的十三号警署，事实证明，同袍不可信，政治掮客不可信，可信的只有按合同办事的职业杀手
黑人，女警察，最后的强者。这片响应了被白人警察跪杀的乔治·弗洛伊德事件。
导演和编剧本来可以整一出精彩又不拖沓的小成本爽片，but they fucked it up
这种片子还谈啥演技，在一个荒无人烟的路边警察局各路人马干就完了，有点像十三号警署吧，还行。
小警署的格局，几位大咖份量很重，每个角色出场戏份不足，不知道主角是谁，黑人女警感觉撑不起整部片，杰拉德、弗兰克、托比三个反派太装腔了，比比了那么久，节奏太慢了，哪个杀手杀人前很是比比的。
弱版昆汀，结局烂爆，维迪克应该一出警察局大门就被打成筛子
当一个和平主义者，杀掉打算退出战争并治好自己伤腿的僧侣……（拉斯普丁or not）
3.5星吧 镜头美感很足 而且情节也挺有梗
就算没有列宁和希特勒，也是真难看。只有那段拉斯普丁跳舞打斗还勉强像是王牌特工的风格。
明白主创想说什么，不过这话痨加女权是真的没意思。
牛津公爵内劲到处，只闻得嗤啦一声，VC平滑的边缘割破了反派的红领巾，反派凄厉一声惨叫，跌落悬崖之下，顷刻摔得粉身碎骨，沦为一滩肉泥。第一次在电影里看到VC被拿来当武器，RF穿了RFC制式飞行皮夹克，欧文诗好评，Black Watch那段实在是……以及，这电影黑得最狠的明明是英国自己，次之美国。可能大家看的不是同一个电影吧……
就是ZZZQ能不能别像瘟疫一样污染所有的电影呢？找个白人个性女主有那么难吗
整体达到及格线，属于那种看着很爽看完就忘的爽片
警局困兽斗，和《血溅十三号警署》比要差一些！
设在荒郊野岭的警察局，改成监狱或许更合逻辑。骗子、追捕者和杀手在警局大开杀戒的设定是很合观众胃口的，可惜拍烂了……
七流编剧的破逼片子又浪费人生宝贵的俩小时，全片就记住一个词，撒旦的屁眼…
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