With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
开头那段就是在讽刺那些看不起jump scare血浆片，更喜欢隐喻氛围恐怖片的新生代影迷。Scream系列一直都是很self-aware的恐怖片，前四部经常用迷影梗自嘲，这部更加夸张，活脱脱的喜剧片了，不是Reboot，也不是Sequal，而是Requel。为什么评分这么低啊？有笑点、有迷影、有自嘲、有血腥，What more do you want？
在吐槽别的影片的同时，自己也摆脱不了俗套。
感覺是盡力了，但是確實拍不出什麼新花樣了。
不连着看的话，已经忘了前几集主角是谁、讲啥了。
#2.0# 基本上复刻了第一部，致敬了很多惊悚片，老人们回归当然开心，但是无法接受Dewey这样的退场方式，距离第一部已经26年了。FOR WES.
作為續集滿不錯的。
在电影里吐槽自己太多反而就烦了，也罢，反正把人都杀了也可以不用出续集了。
开头那段就是在讽刺那些看不起jump scare血浆片，更喜欢隐喻氛围恐怖片的新生代影迷。Scream系列一直都是很self-aware的恐怖片，前四部经常用迷影梗自嘲，这部更加夸张，活脱脱的喜剧片了，不是Reboot，也不是Sequal，而是Requel。为什么评分这么低啊？有笑点、有迷影、有自嘲、有血腥，What more do you want？
在镜头语言上稍微有一点点进步，其余部分，特别是文戏，简直是无聊透顶，而且有几个人是被活活蠢死的。
从低分片得到的感觉是人家的演员真专业，故事是烂故事，但我会好好演。相较之下，国内的流量明星，连好莱坞的烂片也没有资格去拍，毕竟烂的原因是他们自己的演技烂+故事烂。
1.5。当反套路已然成为一种新套路，而且是近些年老牌恐怖片企图重启时必用的套路时，所有的反讽都沦为了自嘲，所有的解构都失去了自反，我们不会沉浸于互相猜疑的快感之中，更不会去思考驱动电影媒介发挥影响的途径与联系，那么这样一部在恐怖片领域具有重要地位的系列续集究竟是何目的？想要使旧的IP重获新生，需要的不仅仅是把老一代人物聚集起来追忆往事，续写那些老生常谈的套路，更重要的是传承并发扬一部电影创作源头的灵光一瞥，也许这种时刻难以复制，但大抵要传达给观众相似的观感。
脑残粉不满意的remake不能算是remake！
我不记得自己以前看过这部电影的前四集——还以为是《死神来了》才下的。一边吐槽一边居然也把它看完了。真是一本正经的胡说八道啊。
悬疑惊悚做得还不错，但结局有没过分滑稽了点，编剧写飘了吧
目前IMDb评分7.0/41K票，字幕已完成，转战下一个
为什么这么多人计较这部电影里面的逻辑，认真得好像带着课本去派对做作业
96年第一部时候杜威小天使说自己25岁了，傲娇的他每部都被人简单撂倒但是不死。25年后杜威50岁了，因为酗酒大腹便便提前退了休，更加坚毅的他主角光环不再，被“狼”杀死在医院。两位老女主这辈子历经五次杀戮却能全身而退，服！
这个IP在当今的市场虽然已经俗套，离谱到天花板了，but经典的狼人杀还是挺有意思
臺灣片名｜《驚聲尖叫5》
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