Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
偶然找到的,准备来下饭,整体氛围还不错,这种废弃大楼一定会用到的梗就是困在其中无限循环,这部也就是这么回事
真的不必用這麽凌亂的剪切去講連鎖反應的故事吧，最後把綫索串起來的時候流暢得讓我長舒一口氣。
小成本电影，从头到尾黑魆魆的。应该是父母离异了，父亲莫名其妙狠狠殴打女儿，女儿突然变脸说“你再多打我一下，我就杀了你！”父亲愕然之间推了一把失手女儿，弄死了有多重人格的女儿，害怕事情暴露于是把女儿砌在屋里一扇暗墙里。没想到女儿根本没死呢！于是怨气冲天！化为厉鬼操控这栋房子里活着的人，告诉他们只有杀死这里其他人，你才能活着离开这里……于是一次次惨剧发生了。“死去的人永远也离不开这扇门！”
Emma很美啊！建塔后半程能再多一些就好了 很好奇这个故事到底是多少程度的虚构…
4.5 故事很有趣哎，就是前半部分节奏比较慢。看完很想买原著看一下
剧本配不上卡司。小说家能够做的，应该还有更多。
恐怖片还要啥理性？恐怖片还要他妈的什么理性！
按照汇率来说，三万日元约合人民币一千五到一千八左右。黑社会四五个打手“办事”的工资这么廉价么？其实按照网贷的正常定义，一千多的欠款，网贷公司都不会花钱雇人催收，因为不划算。不过故事其实还行的。
除了吓人一点儿 别的有点乱糟 越看越没有耐心
片名叫《埃菲尔》但就是不好好讲铁塔的事儿，扯东扯西讲了个爱情故事还和铁塔没太大关系。
前面半小时都好无聊，是男主的颜支撑我看完，感觉类似昆池岩可是没有那么精彩，后面的时空交错剧情感觉有点意思
不错，以我的智商能看懂，看到中间就猜到男主死了
小说家的书面推理与拯救，能理解作者的用心，但还是蛮无聊的。
已知男主是死了的，但是问题来了，他啥时候死的？
太暗整整扣一颗星，啥玩意儿都看不清楚，还一颗星扣给设定和剧情还有剪辑，稍微有点乱，后期不复盘基本搞不灵清
金康宇现在到底是个什么路线。一开始以为是平庸的凶宅作死探险，一惊一乍毫无新意，结果最后看到最后的反转才发现有点意思，男主早就死了一切都在无限循环。不过时间点太多了，画面太暗，过去现在两个时间线交错时空穿插很乱。男主妈妈和女主都挺好看的。还以为男主这么跩的样子能有多厉害，结果是个青铜装逼。204那个被杀害封墙的女孩好可怜，让我想到鬼铃。
因为男主多打一星 实在不能再多了。真心不行啊！
气氛烘托到位，还有动不动jump scare
“你没有这种经历吗？虽然已经束手无策，但还是希望有奇迹发生。如果只要鼓掌，精灵就可以不用死去。那我也会感到一丝安慰。下次要是到了束手无策的时候，我会试着鼓掌的。”
所有灵，都被恶鬼囚禁在这栋修道院内。
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