John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
爱惨了这部电影的画面质感，画风非常高级，在战争题材中绝对是很新颖的一次创新尝试。
😤累了…这个剧情 这个节奏 我全程看英文配音给我整笑了 好想离开这个国家
山、小溪、芦苇荡都很美，这个赞。
这部电影成功让我对战争电影改观了，原来主旋律作品还能这样拍？！真的强推的一部神作
“人类总有些部分，即便身经百战也不会改变，所以我们才能走到今天。”
影片的独特之处在于处处彰显中国之美，山美水美人更美，激发身为中国人的骄傲之感，很不错的新式战争片，值得一看。
就中规中矩吧，新撰组也实在拍不出什么花儿来了。
这部电影最大的毛病就是，它竟然真的试图用诗描绘战争，诗化战争。。。
对我们而言48小时不过是躺着刷几集电视剧的时间，但是对于挺进师而言，48小时则是一场生与死的苦战，对比之下心痛到无以复加，感谢他们让我们有机会开心地度过生命中无数个48小时。
一股子老式日本武士片强波啦的味道我甚至看笑了，拿刀的架势强过攻击力，冲田总司又被月代头毁掉了，感觉是一部可以当作浪客剑心历史背景的记录片，土方岁三跟个唠唠叨叨的老太太一样从头念到尾。
毫无理由服从命令的军人同镜子中的自己一起实现了对战争所存在意义的解构
对话后期配音本无妨，但放弃了对口型这件事儿，还处理出了奇奇怪怪的混响，哪怕拿个手机录音呢？大量无意义的长镜头霸占着眼睛，可又时常出现跟焦不准的画面，仿佛在告诉观众来看这部电影是你眼瞎，不知道是不是忘记付跟焦员工资了。电影聚焦几个人，可惜没有一个有辨识度和立体感，也没有一个拍出了和观众的情感连结，他们的受伤和牺牲，没有引起任何情感共鸣，辅以毫无感染力的音乐，只能感受到导演连切的洋葱也是烂的。想到老谋子的《狙击手》，顿感导演和导演之间功力的差异，可能比导演和素人之间的差异还要大。
画面较暗，但运镜质感却很唯美，故事感一般般，还行吧！
暑期来临，希望更多年轻人能走进影院观看这部电影，浙西南革命精神振奋人心，应该被更多人看到并传承。
基于浙江西南挺进师战略转移的真实历史拍摄的，不仅在浙江取景，还用了南方方言，很有特色。
太美了，是一种残酷的浪漫，清澈的河流，水中的浮尸，漂浮和花瓣，寂静的丛林，用如此诗意的方式讲述这样一场令人绝望的战争。
故事简单而纯粹，画面沉静而诗意，非常特别的一种观影体验。
值得鼓励 国内没有特别好的战争片
这是一部一个人的使命，却完成的十分的艰难，很出乎意料导演用另一种方式来呈现，与平时欣赏别的战争片有所不同，影片里没有那么多的喊口号似的台词，也没有花里胡哨的情感戏。
观看过程中内心一直很沉重，也被导演的表达方式所震撼。画面以黑白表现形式，有如水墨画一般，给观者以战争所带来的冰冷严酷之感，且赋予人物雕像般的立体感。影片伴随着洪启辰仰着头，沐浴在枪林弹雨隐喻的红色的血泊里结束，也是我全片印象最深之处，也引发我对于战争与生存、死亡与正义、道德与责任等价值观层面的深思。个人评分四星，另外母校滤镜多加一星。
Copyright © 2015-2023 All Rights Reserved
