"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
I’m not a tailor I’m a cutter. Throat cutter ~only listening no talking
❷还有，拉芳丹回去听什么磁带——裁缝指南？
想不到除了立本人还有谁在尿尿的时候跳踢踏舞才不奇怪
文本太精彩了，丝毫不觉得乏味枯燥！花小钱办大事，赶紧改成话剧吧……
有明确的泪点处，也不是个好电影了（自认为），因为这些真实的事件本来就真挚得足以让人流泪。
这也太温情了吧！好喜欢最后一个超现实主义的长镜头！
影帝的老年妆乍一看还以为是北野武真人来客串了，最后的师徒情还是让人有点动容的，可是千春小姐啊，唉……
所以也就是看个乐吧
真真切切全凭演技拉住观众的注意力，但凡换个水平次一点的演员，这种假装严谨实则一意孤行的剧本早被各路大侠抓着往死里喷了。
前半段腔调很浓，但是最后发现是在计划很有随机性的事情？
单一场景，非常话剧感的悬疑片，最后一段弗朗西斯又起来后的反转稍显多余，破坏了全片既紧张又从容的节奏感
人物情感十分之克制，观众被放到了主角回忆里平等的位置。
严格满足三一律的老派话剧电影。剧本出彩，观感上佳。
看得好感动，哭得眼泪哗啦。一开篇北野武唱起《浅草小子》，我眼泪就藏不住啦。铃木保奈美还是那么美，可是年轻时多么放荡不羁，如今也是典型日本女性温良谦恭的模样。
生存之道：既要套，也要装。
看马克里朗斯用精湛的表演把匪帮玩弄于股掌之中特别特别爽。
严格满足三一律的老派话剧电影。剧本出彩，观感上佳。
老裁缝气定神闲，通过几方博弈，言语挑逗，成功团灭了黑帮之一，太厉害了。
找了钱记得拿回来给我。这次是用徒弟给的钱付徒弟的打车费。和第一次和徒弟要500元的踢踏舞鞋一样，都是羁绊。现场喜剧和电视艺术的旧新碰撞。
看完后查了才知道居然是北野武的传记片，一开始出场的人如此像北野武我还很奇怪呢，原来是有本人参与，难怪故事的细节上如此丰富。
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