Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
先吐槽中文那段简直不能更加尴尬。女主是非常厉害（好吧其实是过于厉害到直呼离谱的程度）但演技压根没有表现的空间（有没有演技另说），情节分散到抓不住主线的地步且严重拖沓这破剧情居然也能拍两个多小时。感慨女主的选角不错确实和多美挺像，不过演技很平几乎看不出情绪起伏虽然设定可能就是这样但表情也太一致性的呆板，第一部故事也很俗但多美演出了反差感才让人看得爽快。当然第二部故事就不行，人物塞太多，也没惊艳感，很失望。唯一激动的地方在最后几分钟多美出场的时候，第一个眼神就很有魔女的变态那味！
还是挺喜欢的。看很多评论说剧情拖沓，我倒是觉得有这些文戏才让这部电影充实饱满。军人不只是战争机器，军人也是人，有情感有信仰，有家国情怀。
取材于俄罗斯出兵叙利亚空的真是事件。空场面战酷炫，特种作战交锋激烈，电影画面颇有俄罗斯大气开阔之风
没看完，字幕翻译的稀碎，前奏过长，八毛特效。
可能俄语字幕组人太少，用了机翻，有些地方受到影响不知所云。飞行实战部分很精彩。
80两场冲突戏干净利落。祖孙三代也算是意志的传承了。
动作戏升级不少，故事线也多了，应该是给续集铺路。故事重点就是打得爽，变成“怪物”的人轻而易举使用超级暴力的手段打人，还打不死。这种玩游戏一样的暴力爽片，确实很受大数据时代的观众欢迎。
剧情略拖沓，拍摄/剪辑太乱了。在乌克兰局势这么闹腾的时候看这个也是很应景。毛子这是想反思一下过去，寻找一下精神内核啊。
可能是对战争片不太感冒，所以没有get到它的点吧，其实主线支线穿插着还可以的，另外俄罗斯小姐姐是真的好看，特别对我的胃口咳咳
打斗集中在暗场进行省预算拉低了特效质感。
就俄毛子來說⋯還行
当飞机飞得高过云层的时候，阳光会一视同仁地既照耀在飞行员，也照耀在乘客身上，只不过没了乘客飞机照样能飞向天空，而没有飞行员它就只能乖乖留在地面上。毛子的红海行动拍的挺不错的，蒙太奇很熟练，枪战很有质感，文戏可圈可点吧，塑造了一个标准的男人的形象，父亲，家人，国家
2022年第一天，看这部电影，无法抑制地流了很多的眼泪。如果每个人心中都怀有爱与美好，那么战争就会离我们远去。可惜，那只是个如果。
1的女主用爽爆的肉搏片打下的IP，2的女主完全没有任何体术来承继。。。这点就很不爽，你好歹练一下然后安排一点肉搏戏给她啊，总感觉她捡了个便宜一样！身体搏斗都交给了那几个上海来的。。。然后队长那两个的战力相差那么悬殊怎么会被派去暗杀女主的？？1的女主最后出现感觉她能力应该有进化了吧，虽然2拍得一般般，但多方势力引入貌似让背景宏大，还是期待一下3会怎样吧~
爽点不够密，节奏太慢，几场打戏都很棒，故事有些小儿科了。挺可惜的。
俄罗斯主旋律，最后的大规模出动，现实中不好实现。不过对土耳其没啥好印象这是真的
太差了吧？不过这位导演选女主的能力实在超群，Shin Si-ah的脸实在棒！但拍的片子能烂成这副模样，一切太奇怪了。这部整体操作像是奈飞给足了钱的剧集，不知道怎么用，只想尽情胡乱玩耍。乱七八糟都是美誉，负星都嫌多。
这货拍的东西彻底没法看了，没有任何想要把IP做好的诚意。年轻演员的调教很糟糕，最低级的反转小伎俩当成宝贝一般屡试不爽地用，非得要把90分钟能讲完的故事拖到两小时，连最大卖点的爽感都消耗完了。
前半段太磨叽，一直都在飙俄语。最好看就是从1:49开始，这才像俄罗斯嘛！之前营救没成功还搭进去一人一直升机就挺无语的。。。。。。
在豆瓣，只要不是美国爹拍的，得分都偏低。全程陪伴家属，赞一个。
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