Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
和《真心半解》之间差了十个《爱意，绽放》吧。
又被剧情老套住了 不过好向往这种自由的感觉…（加比是真的好看👀
“轻松愉快的片子，适合护肤的时候当背景音乐播放。”
前几日看到近日流行的顺直女千赞发言：“真羡慕你们女通讯录啊，要是可以我也想不爱男的，谁不想和美女贴贴呢？”
而这部可爱又有点无聊的酷儿电影正是以轻松的方式讲出了这种幸福到底为何物
于理，公司回收AI诗音有正当理由，她的过度真人化的确是个隐患，虽然其中还包含了公司内部的矛盾；于情，治愈校园故事总能触动人心，主角团为了友情反抗权威的情节也有种青少年特有的、不畏天高的烂漫，虽然偶尔煽情过了头。
好可爱！女主真的好漂亮啊！好爱女主的妈妈。我真的永远爱青春校园喜剧片（女主跟暗恋的女生喝了同一款酒后说：“现在我们嘴里的味道一样了。”的时候，些许心动了🥰）
挺无聊的，美帝的年轻人如果都是 这样的就好了
欢乐美高，虽然悬浮了点情节直白了点，但是很开心没有被物化的女性没有被曲解的姐妹关系，love girls!!!
站错cp的痛以及…希望女同志影片再加油吧……
美国版的糖水片，是有点甜，但除了甜没有别的味道。
稀烂的剧情，建议导演看看《真心半解》是怎么拍的。
力求政治正確的青少年同志片，立意良善但故事說教連連，飾演女同志的女主角們各個都是直女臉，反而女主男閨蜜是直男卻姊妹味十足，選角詭異。女主無論對姊或妹都無CP火花，雖然一直營造浪漫氛圍但只覺得越看越尷尬...
三星半，对nerd鼓足勇气上台表白的桥段百看不厌。
虽然主角是AJ和P，但是我觉得P跟AJ姐姐更好磕啊怎么回事🥵果然我是个颜狗
田径赛场、涂鸦墙、两个母胎单身的女孩子等到了soulmate
和《真心半解》之间差了十个《爱意，绽放》吧。
超甜的～
呃。艺术气息倒是蛮浓的，喜欢开头融进绘画本的设计以及看到crush的时候，会自动填充五彩斑斓的绚丽颜料，至于感情，真的就是蜻蜓点水不痛不痒。
夏天 青春 彩色 阳光 love 女角越看越喜欢
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