Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
大话西游同人纯爱篇。几个主演演技还不错，不算毁经典。
可能特效画面演员都没有做到很好，但这个剧本是我喜欢的，每个个体面对“燃尽”的命运都可以选择逆天改命，即便是反派。模仿的无厘头喜剧的地方也都蛮有意思，总之，通片我共情了。（并且打算再刷一遍大话西游经典系列）
嗨，就当是看达叔的遗作吧，戏份不多，可勾出太多回忆，作品没想象中渣，当作一部怀念大话西游和达叔的作品看看也还能说的过去。
5.7_大话西游之缘起 (2022)
一晃达叔 蓝洁瑛 已走 星爷已老 朱茵容颜已逝 我们也看懂了那个人好像一条狗这句话
话说这种没有逻辑的模仿。。。
好像有个白蛇缘起吧，不是动画片，是个真人版的，也是讲的白蛇前世，这个感觉不如那个
作为网剧还行，不过也就2星半，炒大话西游的冷饭，但只有皮毛而已，好在男主和女主还行，达叔也不错，也是告别之作了。
话说这种没有逻辑的模仿。。。
真的超乎想象 想不到还有人能挑战周星驰和朱茵 而且基本上没有很拉垮 很感动
不到6分过分了，我觉着挺好，网大里的一股清流。
网大做成这样在同行的衬托下可以说是业内良心了，从紫霞视角补充了紫霞为什么这么深情至尊宝为什么能拔出紫青宝剑，看来创作者们是大话西游的粉丝
缘起亦是再见。又想你了，大话西游，青春的回忆。
很好呀，前世我可能手拿金箍棒，可现在我已经没有前世的法力，只是一个手拿擀面杖的普通卖面小哥，我拔不了你手里的剑，成不了你的点灯人，可我还是想在陪你再找点灯人的路上时饿了能给你煮碗面
老戏新唱，却跳不出局限，如果不是对达叔的那份情怀，索然无味。
有几位演员台词太差了 分分钟把电影变成vlog 但女主角选的不错 有灵气的漂亮 演技也不错 剧本也还行 在一众毁三观的翻拍中算及格了 达叔等熟悉人物的加持 还有对关键景和物的还原 让人感动
好故事比有流量重要，好演技比长得美重要。瑕不掩瑜，居然有点想哭。
在《大话西游》基础上衍生的网大，故事说得通，化身猴子打斗的那一段特效比较糙；另外就是，紫霞好漂亮！
导演兼编剧同学应该也是仙剑的粉丝，里面有不少仙剑的影子，比如：片头的锅勺敲头；片中的御剑飞行；甚至紫霞仙子的言行举止里都有一些林月如的味道。
算是比较有诚意的一部大话西游系列的改编了，剧本确实不错，就是节奏有些快，可以一看。
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