With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
动画质感不错，人物长得也很可爱，尤其是主角小虎墩，脸蛋圆乎乎的，虎头帽子直接种草哈哈哈。
贺岁档的亲子题材何以遭遇如此冷遇，几个影院一天总共加起来不到三场排片，而且呈现越来越少的趋势。看罢才明白啥叫老套，原来这些年电影的价值观审美一直在变化，这个显然跟不上时代了。但小朋友看着还行吧，6分不能再多了。。
刚看过雄狮少年，接着看的，可爱有余，逻辑牵强
3星多点。有感动的点，人物挺可爱，剧情也有搞笑的地方。开篇小虎墩的说书挺有趣，沙漠中的场面也比较有意思。对了，配音比较喜欢，还是有趣的。场景具体画面可以丰富，个人认为整体比豆福传更完善。
从虎墩的一步步成长来说 就是年龄层可能偏低
【2022.05.31】真想给一星的，主要是画质还看得过去，其它的无论是人物剧情都很烂，也太低龄了，我都佩服我自己浪费时间看完，虽然说是两倍速看的，还是觉得浪费时间了。
今天在中国电影博物馆3厅，早上第一场：10：10—11：40！！！感觉，还是“太幼稚啦”！！！只能适合和小虎墩年纪相仿的，3—6岁的儿童！！！对于我来说，确实接受不了！！！没什么意思！！！只能是尴尬的笑笑：哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈！！！！！！
一次误打误撞下，虎墩接到一份绝不简单的护镖任务，在绝世高手杨镖头的陪同下， 虎墩踏上了一段惊心动魄的护镖之路和成长之旅……
也许对电影的预期并不高，看完感觉还不错。虽然是子供向动画，但是配音和动作场面还是很棒的。
100%漫威出品爆米花，管他是Sony还是marvel studio反正拍出来的感觉也大差不离。剧情依旧是bug一大堆，喜欢哈里森演的疯批亡命恋人，跟屠杀结合后简直欲到流鼻血，劫狱一段的亲吻戏是目前本年度最佳kiss，虐杀仇人后教堂的黑纱婚礼太变态太酷了，甚至有点不舍得他们死。毒液Eddie这对发挥平稳，明显是婚后小夫妻的小打小闹，吃醋出走还醉宿夜店，毒液要不要这么小娇妻。彩蛋沙滩蜜月互诉衷肠，就差接吻之后送入洞房，结果下一秒就是亲亲我我躺床上，满屏幕的粉色夕阳，荷尔蒙都要溢出来了。总结，这是部爱情片，爆米花爱情片里找意义？what's wrong with u？
蛮老套的剧情了，动画制作倒是不错，但是人设没有很讨喜，所以真的感觉一般吧，还好没花钱去影院。
6分。我倒觉得还行，该有的元素都有，完成度还是可以的，并不像那些杠精说得那么不堪。笑点还是蛮多的，反正我领儿子看得很开心。中国动漫绝对领先中国电影至少十年！
很多优秀电影剧情都很老套，在于导演能怎么拍，这片我看到了进步，也看到细腻，四星鼓励
关注虎墩短视频很久了，特意去看了电影，很不错，没让我失望，就是热度不够。看完隔壁的羊和熊也可以带孩子看看。
定位不清晰，要说是给孩子看的，那对白设计过于成人化，四个字四个字出口成章，学龄前孩子根本理解不了，纯粹看了个寂寞，要说是给成人看的，那就一颗星也没有了，情节俗套，看的人昏昏欲睡，动捕做的不好，面部表情和动作不够流畅，人物设计也泛善可陈，如果是孩子电影，那麻烦这些导演能用孩子听得懂的语言来设置对白和旁白
冲大年初三16元的票价多给一星。小朋友很敏锐地注意到了虎墩就是春晚上的虎娃。故事其实挺老套的，武打场面比较一般（可能孩子看够了），个人最喜欢的是沙漠行舟部分，脑洞和画面都比较出彩。
被小主角可爱的形象吸引，虎头虎脑，特别是他的技能“飞毛腿”，像个狗子在地上狂奔……让人捧腹大笑😂中间和想要和父母团聚，和师傅化险为夷的故事，又让我热泪盈眶。推荐👍
面向儿童的英雄冒险梦，作为春节贺岁片确实很适合，除了逻辑不太科学以外还挺好看的！唯一的问题是我早就已经不是十二岁了。
沙漠飙船那段比较惊喜，我觉得这样一部动画片应该针对儿童观众在台词和情节上做一些适配。相比之下，雄狮少年就好很多。
220328 国漫发展到今天 其实是期待更有深度的内容创作的 整体故事太套路 一度甚至觉得虎墩有点烦人 送镖途中经常坏事…把主角塑造成这样实在是差点意思 画面不错
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