Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
暴风雪山庄经典剧情，靠女主一人反杀。。我还以为全员坏人，结果还是有一个好人，活了两秒。。富人小女孩品质恶劣，救回去以后会好吗
挺有趣的，也可以想象要是杰森·斯坦森来演的话会另有一番趣味。
暴雪山庄模式永远是经典模板，其实挺棒的内容没有水分和各种故弄玄虚的bug，不能说老套就一定不好，整个电影完整且节奏紧凑
暴风雪山庄式的故事，全员智商在线，剧情张力也不错，但故事还是简单了点
好看，虽然没啥惊喜，但很爽。女主不错，sandy演员是冬天的骨头里面的女boss，一整个适合大雪纷飞啊（不是
[hulu][origin][EngSub]同名小说改编，暴风雪山庄系悬疑，剧情短小精悍，亚裔主角确实罕见，好人市民只能说有点惨，米国步枪协会狂喜，这几个好人市民里但凡一个人带枪就可以提前结束了。你看，好人没有武器就是这个下场，所以emmmmm....
傻逼女主，又丑又蠢，发现小女孩后做的每一个决定几乎都是错误的，在手里有枪，绑匪因为误杀同伙精神恍惚的时候不朝绑匪开枪反而选择逃走，后面挨警察一枪一点儿不冤，咋不打死你呢？
這類小成本暴風雨山莊類題材很難玩出新鮮感，受限於主角未知的視角，反而是主角試探陌生人的賭局上做到集驚慄感和懸念感的強情節，但一切在突如其來的反轉後落入了同類型電影的俗套，兵捉賊的遊戲缺乏層層遞進的刺激，而亮明角色的關係後賭局上的互動失去嚴謹，後半段的拉鋸戰上雙方對自身掌握的優勢不甚了解，而要旁人提及的場面略嫌可笑，某個角色讓我想到《The Room》的男主角。
开篇很好，慢慢入戏入扣，暴雪山庄的小变形，但后来的处理特别扁平，没有任何延展性。可惜可惜。
大家看好了，这就是非常典型的三星影片，游离于及格线的作品，甚至可以把它当成一条标准线
故事普普通通，但拍的不错，本来比较平的故事拍出了一定的转折跌宕，人物行为逻辑也基本合理，整体完成度可以，这剧本上限就不高，也就拍成这意思了。再有，好莱坞电影中有亚裔角色的不计其数，但难得有这么一部用亚洲面孔做主角的。
一部不用靠猜猜凶手是谁，用细节剧情来推动故事发展的好电影。饰演达比的亚裔小姐姐演的太棒了。要知道亚裔在欧美电影里当主角，真的是太难了！希望以后能多点这样不是你追我逃，我追你死的低成本佳作
太久没看这样的喜剧电影了，我永远爱嘴炮逗比配扑克脸
还以为是悬念很足，弦绷得很紧的密室小制作，结果打个牌就露底，好吧接下来看斗智斗勇也成，结果软的软，蠢的蠢，暴风雪山庄你给我看这？
不用去深究细想的比较轻松的一部片子，看完之后印象最深的还是Bullshit扑克牌玩法那场戏，一些身体上的疼痛画面也还算可以。
小成本，还可以。就是说两个绑匪咱为了拐卖人口至不至于……还非得去绑架大户人家的闺女，直接就是进门抢了。
合格的爆米花电影，剧情不复杂，打打杀杀，相互欺骗和斡旋，但足够刺激
女主很在线，但真的受不了其他角色全部蠢的要死。
还不错，小紧张小刺激，没那么激烈，大叔都还没施展技能就挂了有点对不起他这设定。
小成本制作能拍成这样还可以了，女主越看越美
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