Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就是纯把漫画影视化，本来还希望可以多一些细节和原创内容的，不过还算精良，相比乙骨的纯爱，悟和夏油的羁绊则更能触动我，真希真的太帅啦，可惜漫画后期毁容了，希望介见不要让她下线呀！
太好看了。剧情台词到战斗场面，无一不精。5t5 乙骨yyds！
九敏 打斗戏太帅了😭😭😭七海呜呜呜我要嫁我要嫁我要嫁呜呜呜 但是五条老师和反派的剧情太像Grindelwd和邓布利多了。男主的友情线太仓促了。男主最后把自己交给里香可太中二了hhh。还有男主最后的高贵血统，不太喜欢这个设定
很保守的动画化。
但说真的这么一看这剧情还蛮俗套的。
😭我永远爱五条！
骨子哥喊出“我们是纯爱”的时候整个电影院都绷不住了
剧情比TV版好。不过忧太声优是绪方惠美就算了，为啥人设和音色都和EVA里真嗣一样，让人出戏以为真嗣下岗再就业来咒回炒羹了。
在英国看的 台词出现pure love的时候 和我喜欢的男生一起笑出了声
乙骨的纯爱线友情线还行，但也就是个有始有终的程度。师生线，老师的友情，和最后大战…… ？……可能英文字幕也有影响吧😅
我永远喜欢娜娜明...所有的“可爱”都贡献给了他不到一分钟的出场画面，扯领带那里我在内心尖叫。
没看过剧集，但论电影，充分说明了，社会化初期，第一个关键人的影响作用。
干脆叫真希波同学吧，很平稳，剧情也没啥复杂的
没想到纯爱战神是literally的纯爱，养一个特级咒灵真的很拉风
特级里香又酷又爱吃醋 被凶秒怂 真舍不得她走～
可真失礼，我们是纯爱，哇，我想知道，后来呢，理香真的走了？
全片最高光。看着乙骨没羞没臊的说出：我们这是纯爱啊。乙骨的故事交代的非常清楚，也有机会看到五条悟和夏油杰的一些羁绊，完全符合预期。
MAPPA的打斗场面一如既往的稳，但总体上感觉节奏过快了，文戏的处理也比较生硬。嗨，能在大荧幕上看到娜娜明行云流水的打戏还要啥自行车呢
70分/短短短，高潮时常再多个20分钟会更好，两边对个波就结束有点敷衍了
真嗣重生之我在高专驱魔。打斗戏还是挺精彩的。
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