Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
喜剧悬疑传奇片，概念不错，对于影视及娱乐行业的现状有一定的反映，还关注到了女性相关的问题。剪辑可以再紧凑一点，这样故事的节奏感会更强。
题材很好，武戏太差，音乐想强行煽情，叙事逻辑勉强
还不错，刚开始让人摸不着头脑，从中间开始渐入佳境，质感确实有些像剧本杀，但是总是莫名感觉哪里有点刻意了
片子四星，多给一星支持一下至少是好好打磨过的国产剧本。
真正的长津湖战役放在最后没几分钟，前面手撕美国鬼子拍俩个多小时；
如果说又是主旋律和拥抱红色宣传的话，可能难成为经典。 就像《金刚川》《八佰》一样，无视历史和合理性，虽然煽情但让人觉得不合逻辑。 会买票去支持国产电影，既恨之又爱之！
只感受到了林超贤拉满的肾上腺素，但确定要在电影院里坐3个小时吗？
借用导演的一句话：电影上映后就应该放手了，最后一环的创作交给观众。大家如果能感受到我想表达的其实是一种心照不宣，如果感受不到，解释也用处不大。
先说缺点，在电影里有些片段有些刻意煽情，另外战斗场景不够真实，集体冲锋时候哪能搞这种密集冲锋，看得我都急死了。
外公参加过长津湖战役，看到了外公的影子，那场战役能够活下来已经很难了。战争镜头真好看
几位台词都过于优秀，好久没进影院了，挺值的
一群优秀的演员，一部精彩的影片！
《论卡轴的战略重要性》《丰碑》。和一群这个时代的人一起在杜比全景声厅里泪流满面。为了下一代远离硝烟，英雄们把热血融进疆土，这个故事是悲壮的离歌，更是燃烧的史诗。观影完毕久久不能平静，看完片尾字幕听完片尾曲后就是志愿军军歌，真的有种大银幕连接了两个时空的感觉，很触动。还有就是，群像做得非常好，长城那段画面是高光之一，多美的国土，值得为之而战。
幸亏不是是电影院费钱看的，不然还得减一星🙃看到韩寒监制就降低期望值了，剧情真的好普通，把英雄救美换成被夜莺设计的英雄救美（类似泰囧）可能还反转一点。伊正减减肥吧，和邓家佳跳舞那段简直辣眼睛，起码和小警察那个身材的男士跳舞男帅女美才能忽视剧情啊，又没剧情又不养眼真是大无语。
永怀感恩，感恩你们
本来看到选角是期待做成纯个体视角的，结果没想到预告一上来就高层会议了，要这么多，结果还弄了一个小时给林超贤拍无意义的信号塔攻防战，唉………
期待演员易烊千玺！！
3.5 开头实在是太冗长了，结尾也没有落回吴京和易烊千玺身上，有头没尾。战争部分节奏紧张，两场大型的爆破对抗戏份有很多细节展现，中间缓冲过渡做得也比较明显，但就凸显出本来没几句台词，一说台词根本不是在角色对话，而是说给银幕外的第三者听的……或许等等第二部
战争场面绝了！！！！最后雷爹牺牲的时候哭晕了，还有教员和他儿子我永远的泪点😭总而言之全程无尿点三小时很值得！！！
昨天刚想看暴风雪山庄推理，今天就看到一个类似的。就是推理有点拉跨。张本煜确实是万合天宜最会演戏的，柯达感觉只能演丑角，网大感丢不掉
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