Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
“从现在开始，你的每一次呼吸，都是我的礼物…”
安志杰演的很敬业，女演员用力过猛，但并不讨厌。剧情十分粗糙，结局有点拉跨了，作为网大倒是合格的。
所以是觉得小朋友听得懂英语还是觉得小朋友能一边看剧情一边看字幕？
最后才揭秘，全剧最大的坏蛋是一只白色的很萌的狗狗。喜剧片的大结局都是Happy ending。
杀破狼·贪狼的壳子下套进了夜魔侠和小丑女，感觉像AI写的剧本。剧情跳跃太严重，导致节奏不规律。服装道具倒是不错，动作戏能看。
不错，好电影！男女主好像段奕宏和辛芷蕾……但是演出了自己的风格，虽然我是因为叨叨才来看这部电影的😂
大女主的爽片！单独拍一部女主希娜的故事吧！又飒又狠，要什么爱情！
这片子，是真无语，无论是道具还是人设，甚至整体设定，不能说漏洞百出，只能说毫无逻辑。
看得出电影拍得比较辛苦，而且电影剧本虽然简单但也扎实，安志杰也保证了动作的观赏性。但是各种人物粉墨登场之后却显得表演有些用力过猛，生怕自己早期的创伤和内心的扭曲和阴暗不被人们觉察而都写在了脸上，甚至连沉默羔羊里的面罩都用上了，这部分实在让人感到有点尴尬。不过不管怎样，在甄子丹都渐渐老去的现在，安志杰能够有这样的创作还是令人有些期待的，希望属于他的黄金时代可以到来。
希娜真的是亮点人物，可惜演的有些浮夸了，不然一定能产生小丑女出场的惊喜感
就挺普通的，剧情挺新颖的，但是结尾还是玛丽苏
带孩子考的，真的非常搞笑，讲述了一个探险的小故事！古诗最后还有反转！孩子很喜欢
还挺适合小孩看。动画角色还是搞得很可爱的！画面也很有活力，有点科幻色彩。但是梗铺得不太好，有点尴尬。加入的网络流行语把整个电影的风格搞得不伦不类…小孩看了也只能说还行的程度
还行，就是最后结局扎昆死的好快啊，都不适应电影这么快的节奏了哈哈哈
[视]洋人长官，洋人主持，校园不正当竞争，无德贵族学生，燥怒市民，全国最不文明城市，人口贩卖<飓风营救>，几个网红脸男配，算命老太。邪版辛芷蕾，新疆版沈腾，爆炸头吴军。伪乱伦，国内方言，阿雅颜不俗，父爱对比，重复闪回，配乐一般，血雾还行，女儿尴尬。绳索与棍棒<死亡搁浅>
剧情设定还是一如既往的善良战胜邪恶，菲拉萌的甜甜圈形象贡献了不少笑点，是小朋友会喜欢的电影。
对港式警匪片的套路复制简直是原样照搬，所以影片唯一亮点只能是卖力搞笑的叨叨了。。。
安志杰有动作巨星像，没起来可惜。多拼一拼动作片吧，打磨一些个人动作风格
对于网大来说，算是佳作。
主演: 安志杰 / 杨杏 / 王寒阳 / 祁圣翰 / 叨叨 / 张亚奇 / 吴靖萱 / 程思涵 / 周鸿波 / 阿姆罗 / 李子雄
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