Devon Ke Dev...Mahadev is a Hindu spiritual television drama series which airs on Life OK channel. It premiered on 18 December, 2011 and showcases the story of Lord Shiva, also called as Mahadev.
The drama is inspired by the works of Devdutt Pattanaik. The story has been researched from Bodhisattva and has been penned up by Mihir Bhuta.
Devon Ke Dev...Mahadev is the story of the Hindu God Shiva, also called as Mahadev. The show portrays his journey from a hermit to a house holder. In the show Shiva takes many incarnations and many incidents take place. However, this plot mentions only the major events.
The story starts with the tale of Shiva's marriage with Sati. Sati who is the daughter of Prajapati Daksha, a staunch Vishnu devotee, is drawn towards Shiva against the wishes of her father. She finally marries Shiva, but soon dies by self-immolation when her husband is insulted at the yajna of Daksha. The grief-striken Shiva produces Virabhadra, who slays Daksha, however he restores Daksha's life after beseeching of Daksha's wife. A distraught Shiva leaves with burnt corpse of Sati and wanders the universe. Vishnu severs the body into pieces, shattering them on earth. Shiva transforms the pieces into Shakti Peethas, embodiments of the power of the Goddess Adi Shakti.
Sati is reborn as Parvati, the daughter of Himavan, king of the Himalayas and Mainavati. She is also the sister of the river-goddess, Ganga. Parvati is raised in the hermitage of the Shiva devotee sage Dadhichi, who teaches her devotion to Shiva. Parvati grows up and like Sati, is captivated by Shiva. She slowly remembers her past life, then wins Shiva by her austerities leading to their marriage.
Shiva and Parvati give birth to Kartikeya, who slays the demon Tarakasura and his brothers. Kartikeya is also nominated for the throne of the King of Devas but Shiva asks Indra to continue as the king. After this Kartikeya is sent to the Dakshin (south) where he is cared by Meenakshi and here he slays the demon (asura), Tripath with her help. The story goes on with the tale of the destruction of Tripura, belonging to the revengeful sons of Tarakasura, who were earlier given boons by Shiva. And just before the destruction of the Tripura, Shiva and Parvati's daughter, Ashoksundari is born.
After the destruction of Tripura, except Lord Indra (the King of Devas) everyone congratulate Shiva for destructing Tripura and also for being the father of Ashokasundari. Rishi Durvasa gives him a special garland, which Shiva gave Narada as prasadam. When given Lord Indra accepts the garland placing it on the trunk of his elephant, Airavata to proof that he is egoistic throws it. This enrages the sage and he curses Indra and evryone to be bereft of all wealth and fortune. Soon later to take revenge on the destruction of Tripura, King Bali attacks heaven and in attempt to steal Amrita (nectar of immortality). But it falls into the Ocean of milk. To get the Amrit back Devas join hands with Asuras to churn the ocean for the Amrita and to share it among them.
The churning of the ocean, known as Samudra Manthan is an elaborate process. In the process the Devas disadvantage the Asuras in many ways. Despite this, they churn the ocean. In the process Lord Vishnu also takes his second incarnation of a turtle, Kurma.
The process releases a number of things from the ocean. One product is the lethal poison known as Halahala. This could contaminate the ocean and destroy all of creation. To save everyone Lord Shiva inhales the poison in an act of self-sacrifice but Parvati rescues him by pressing his neck to stop the poison from spreading. As a result, the color of Lord Shiva's neck turns blue. During the churning many things are obtained from the ocean which includes Lakshmi, the Goddess of fortune and wealth, who is the eternal consort of Vishnu. Thus, everyone gets their wealth and fortune back. Later Vishnu takes the Amrita secretly from the Asuras and distributes it among the Devas.
The story takes some years leap after which it is shown that Kartikeya has been removed from the post of Senapati(head of the army), which pleases Indra and for the first time after so many years, a grown-up Ashoksundari meets Kartikeya. Kartikeya also meets his parents. He enlightens Ashoksundari about meditation and she inspired by it so much that she renounces her life to meditate, which disturbs Parvati.
Looking at the ill happening of the world, of how Ahalya is seduced by Indra, Mahadev come indside. Even after Mahadev tells that he is his father and many other gods tried to tell him, he still refuses. Mahadev got angry and cut Vinayak's head.
结尾的公园,仿佛就是生活啊、世事啊,每经困顿,便用春日花束般治愈安魂。
可惜!可惜!最后25分钟为什么要谈恋爱,为什么要“飞跃疗养院”呢?这不狗尾续貂了么……
只能說劇本還不錯吧,但作爲一部主角只有一兩個人的大女主影片,Jodie Comer的演技還是無法打動到我……
金敏喜蛊惑人,每次看完她的演出就觉得近期看到女孩都黯然失色!
借「小说家」之手完成了一次更为私人的情感文本,也是对自己影像风格的过程式解构,所有的一切都是灵感的迸发,偶然的奇遇,人际的巧合。不需要任何人为动机的推进,只需要等待自然交互下的情绪降临,而洪镜头下的任何元素与符号都充满了最真挚的告白,就在自己所创造的话语结构里从容却又流露出难以掩饰的无处安放,就好像虚构下的「黑白」是第一视角的窥探,随之短暂的「色彩」开始出现后便让爱释放得更加具有魔力。
几乎只能从老洪的电影里追星(敏)也没什么,已经知道了想知道的一切,美而心地纯洁、喜欢喝酒又想克制、作为一个名演员同时作为一个成年人不想再演戏(大作)的理由。这部没什么精巧的结构,不知道是不是片里所说的,生活经修补后电影也变得清晰。最后几分钟真的是拍摄现场vlog,很快乐很满足,今天也有为诚实的人们和他们的爱情流泪这样子。
曾看到有人说当电影的创作太偏向文学性不如直接阅读文字,而我认为影像还是有不可否认的自身特性而且这也未尝不是一种电影的出路。总是享受这种电影带给我的感觉。
有些人就嗯吹吧,我寻思中国养老院也没被zf抛下不管吧?真要觉得我国防疫也烂,那你嘤爹也还是赢不了啊,真要觉得我国不允许拍这种电影,那你得先让zf执政能力低下,然后再制造点事实基础呗,总不能胡编乱造吧?
看来女明星的尽头是亚逼,电影的尽头是vlog。(不是
我并非站在洪这种创作模式的反面,但是这点内容老洪翻来覆去的拍大家翻来覆去的看,尤其连结构都几乎放弃了之后,大家真的不累吗……
对金敏喜的推崇达到了一个崭新的高度,且没有一丝令人反感。小说家与女演员成为彼此重叠的影像,赞美对方爱上对方的同时也完成了对自我的肯定。金敏喜一人看完电影后的失神表情令人回味,她两的关系再次走向某种不确定。洪常秀总能在看似重复的母题与手法间再次表达出微妙而有趣的差异,的确厉害。
在自我指涉中,“真实”被呼唤了出来,身体先于思维有了反应,谁也无法解释为什么看到最后我一个爆哭。
这才应该是我们的方向,不是吗?同样的背景和题材,一些人在反思我们哪里还做的不够好,一些人告诉你没有我你会更糟糕。
就还挺喜欢的。金敏喜才是文艺片女王!她好美啊!yebuyo!
我发现大家对洪尚秀的电影以及说废话的宽容度真是越发的高了。这部倒是觉得金敏喜看着有些憔悴 但很真实就是了
想起了新冠时候的种种,想起每天看着新闻心头的焦虑,想起自己连续发着烧的担忧,也正是那时候我发现原来我们身边还是有许多伟大的人,也第一次真正感受到这个国家的力量,从那时候开始,14这个数字也变得不再一般了。
所以,先死的都是老年人吗?被放弃的也是 ,打不通gov电话果然在任何地方 都一样
这部电影应该改名,叫做《我老婆最美》,不过,金敏喜真的很美啊,这才是不做作的少女感啊,黑白转彩色那段,只有老公是导演才能做到的浪漫啊
本来想给中间那段莎拉一个人值夜班的片段四星的,但是后面带托尼逃出护理院开始就有些拉胯了。故事不够丰满,节奏有些乱。
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